Directed by: Tony Cervone. Starring: Will Forte, Mark Wahlberg, Jason Isaacs. Runtime: 1h 34 min. Released: May 15, 2020.
In Scoob!, we see how Shaggy (Will Forte) and Scooby (Frank Welker) meet when they’re kids. Then they meet the rest of the gang – Fred (Zac Efron), Daphne (Amanda Seyfried) and Velma (Gina Rodriguez). It’s not much of a prequel story as this happens for about 10 minutes, but they investigate a local haunted house and this is when it feels like classic Scooby-Doo. Enjoy this while it lasts, as 10 years pass and Shaggy and Scooby find themselves in a generic superhero story to stop the evil Dick Dastardly (Jason Isaacs) from unleashing a dogpocalypse onto the world.
Usually, the Mystery Gang will simply help local townsfolk with a mystery, solve their spooky problem and then get called meddling kids. Here, as the plot shows it won’t please long-time Scooby fans, the Mystery Gang join forces with superheroes, not even solve a mystery and instead try to save the world, and then get called meddling kids.
This film is intended to be the first in a shared Hanna Barbera universe as Warner Bros. shoves lesser known HB characters into a Scooby-Doo film, as they join forces with Blue Falcon (Mark Wahlberg) and Dynomutt (Ken Jeong) from the Hanna Barbera show Dynomutt, Dog Wonder. The villain of this film is also Dick Dastardly of Wacky Races fame. I’m a ‘90s kid so I’m only vaguely familiar with Dastardly, and I don’t care about them. The voice acting is strong as these characters, though, and it could intrigue long-time Hanna Barbera fans to see these smaller characters on the supposed-to-be-big-screen.
However, this all makes Scoob! feel like a product more than something truly creative, as this shares the same mistake with 2017’s The Mummy as Warner Bros. puts a focus on jumping straight into a cinematic universe instead of first making a strong Scooby-Doo film. As a film for kids who might be seeing Scooby for the first time, this would be fine, but it would be a shame to make them think that this captures any of the spirit of Scooby-Doo because it does not. It’s just a film with colourful (and great) animation with non-stop action so their attention span never wanders.
It’s also strange that Fred, Daphne and Velma are turned into side characters. They get little to do and Fred never once tells anyone to split up, and Velma never says “jinkies” and she never loses her glasses. Okay, that’s false, she loses them in an image during the credits as director Tony Cervone and writers tease a real Scooby-Doo mystery, but we don’t get to enjoy it. To tease us like that after the nonsense of this film is honestly a cruel joke.
As for the voice casting, Frank Welker reprises the role of Scooby-Doo and he’s great, but it’s strange that Scooby talks in complete sentences and is able to have conversations with Shaggy. Will Forte is fine as Shaggy and I like him as an actor, but he isn’t Shaggy. Matthew Lillard is my Shaggy. He started playing the character in the 2002 live-action film Scooby-Doo and has been voicing Shaggy in the television shows and films since 2010, so hearing Forte give it the old college try is kind-of a bummer.
The rest of the core cast is good in their own right in other films, but Zac Efron feels flat as Fred as he’s just playing himself and he’s such a big star that it kind-of distracts. Amanda Seyfried, though, feels like she actually fits Daphne but she has little to do. My biggest issue is Gina Rodriguez as Velma and that’s because she doesn’t even make an effort to make Velma sound like Velma. She doesn’t sound nerdy and she just showed up, did her regular voice and it just does not fit the character at all. This trio also barely has any laughs, but most of the humour in the film doesn’t work.
It feels so dated to the mid-2000’s, strange since Shaggy and Scooby sing a rendition of “Shallow” from A Star is Born to Simon Cowell (yep) that shows this is at least 2018. The music choices are kind-of odd as the film opens to Tupac’s “California Love” and then Shaggy shuffles through five songs about loneliness to show he needs a friend. That loneliness bit feels forced, but Shaggy and Scooby’s friendship is the core of this film and that’s played okay.
However, since this does not feel like my Shaggy and Scooby (the only time I really had fun with them is when they pretend to be restaurant workers at the bowling alley), I couldn’t love their friendship. I cared more about Dastardly’s super cute robots (reminiscent of the minions from Despicable Me and just for the merchandise) who have replaced Dastardly’s usual sidekick Muttley.
While this film surely ups the ante of a normal Scooby-Doo story to make it feel cinematic, it totally forgets that the Mystery Gang is simply a group of twenty-somethings who solve goofy and creepy mysteries that have no implications on the fate of the world. I’ve highlighted the good parts but this film is more frustrating when it flashes its clever side because there’s so much here that is uninspired.