Scoob! (2020)

Scoob! (2020)

Directed by: Tony Cervone. Starring: Will Forte, Mark Wahlberg, Jason Isaacs. Runtime: 1h 34 min. Released: May 15, 2020.

In Scoob!, we see how Shaggy (Will Forte) and Scooby (Frank Welker) meet when they’re kids. Then they meet the rest of the gang – Fred (Zac Efron), Daphne (Amanda Seyfried) and Velma (Gina Rodriguez). It’s not much of a prequel story as this happens for about 10 minutes, but they investigate a local haunted house and this is when it feels like classic Scooby-Doo. Enjoy this while it lasts, as 10 years pass and Shaggy and Scooby find themselves in a generic superhero story to stop the evil Dick Dastardly (Jason Isaacs) from unleashing a dogpocalypse onto the world.

Usually, the Mystery Gang will simply help local townsfolk with a mystery, solve their spooky problem and then get called meddling kids. Here, as the plot shows it won’t please long-time Scooby fans, the Mystery Gang join forces with superheroes, not even solve a mystery and instead try to save the world, and then get called meddling kids.

This film is intended to be the first in a shared Hanna Barbera universe as Warner Bros. shoves lesser known HB characters into a Scooby-Doo film, as they join forces with Blue Falcon (Mark Wahlberg) and Dynomutt (Ken Jeong) from the Hanna Barbera show Dynomutt, Dog Wonder. The villain of this film is also Dick Dastardly of Wacky Races fame. I’m a ‘90s kid so I’m only vaguely familiar with Dastardly, and I don’t care about them. The voice acting is strong as these characters, though, and it could intrigue long-time Hanna Barbera fans to see these smaller characters on the supposed-to-be-big-screen.

However, this all makes Scoob! feel like a product more than something truly creative, as this shares the same mistake with 2017’s The Mummy as Warner Bros. puts a focus on jumping straight into a cinematic universe instead of first making a strong Scooby-Doo film. As a film for kids who might be seeing Scooby for the first time, this would be fine, but it would be a shame to make them think that this captures any of the spirit of Scooby-Doo because it does not. It’s just a film with colourful (and great) animation with non-stop action so their attention span never wanders.

It’s also strange that Fred, Daphne and Velma are turned into side characters. They get little to do and Fred never once tells anyone to split up, and Velma never says “jinkies” and she never loses her glasses. Okay, that’s false, she loses them in an image during the credits as director Tony Cervone and writers tease a real Scooby-Doo mystery, but we don’t get to enjoy it. To tease us like that after the nonsense of this film is honestly a cruel joke.

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Frank Welker and Will Forte as Scooby and Shaggy in Scoob!

As for the voice casting, Frank Welker reprises the role of Scooby-Doo and he’s great, but it’s strange that Scooby talks in complete sentences and is able to have conversations with Shaggy. Will Forte is fine as Shaggy and I like him as an actor, but he isn’t Shaggy. Matthew Lillard is my Shaggy. He started playing the character in the 2002 live-action film Scooby-Doo and has been voicing Shaggy in the television shows and films since 2010, so hearing Forte give it the old college try is kind-of a bummer.

The rest of the core cast is good in their own right in other films, but Zac Efron feels flat as Fred as he’s just playing himself and he’s such a big star that it kind-of distracts. Amanda Seyfried, though, feels like she actually fits Daphne but she has little to do. My biggest issue is Gina Rodriguez as Velma and that’s because she doesn’t even make an effort to make Velma sound like Velma. She doesn’t sound nerdy and she just showed up, did her regular voice and it just does not fit the character at all. This trio also barely has any laughs, but most of the humour in the film doesn’t work.

It feels so dated to the mid-2000’s, strange since Shaggy and Scooby sing a rendition of “Shallow” from A Star is Born to Simon Cowell (yep) that shows this is at least 2018. The music choices are kind-of odd as the film opens to Tupac’s “California Love” and then Shaggy shuffles through five songs about loneliness to show he needs a friend. That loneliness bit feels forced, but Shaggy and Scooby’s friendship is the core of this film and that’s played okay.

However, since this does not feel like my Shaggy and Scooby (the only time I really had fun with them is when they pretend to be restaurant workers at the bowling alley), I couldn’t love their friendship. I cared more about Dastardly’s super cute robots (reminiscent of the minions from Despicable Me and just for the merchandise) who have replaced Dastardly’s usual sidekick Muttley.

While this film surely ups the ante of a normal Scooby-Doo story to make it feel cinematic, it totally forgets that the Mystery Gang is simply a group of twenty-somethings who solve goofy and creepy mysteries that have no implications on the fate of the world. I’ve highlighted the good parts but this film is more frustrating when it flashes its clever side because there’s so much here that is uninspired.

Score: 38/100

Scooby-Doo: Return to Zombie Island (2019)

Scooby-Doo: Return to Zombie Island (2019)

Directed by: Cecilia Aranovich, Ethan Spaulding. Starring: Frank Welker, Grey Griffin, Matthew Lillard. Runtime: 1h 20 min. Released: September 3, 2019 (video).

Some spoilers follow.

I’m sitting here eating some of those Betty Crocker’s fruit flavored Scooby Snacks (not a sponsor). I’m 25 yet still have the snack preferences of an elementary school child, but that’s beside the point. I decided it would be an appropriate time to review Scooby-Doo: Return to Zombie Island. A direct sequel to the 1998 film Scooby-Doo on Zombie Island, this has the Mystery Gang coming out of retirement to investigate a mystery on the familiar zombie-infested island.

That’s my first problem with the film, the fact that they’ve “retired.” It opens with a montage of our gang chasing a bunch of villains as if in a last hurrah and then it’s revealed Fred has sold the Mystery Machine (for some reason). I haven’t been following the current television shows for Scooby-Doo so I don’t know if it’s canon that Mystery Inc. has closed up shop, but in this film, it comes out of nowhere with zero explanation. Scooby (Frank Welker) and Shaggy (Matthew Lillard) make Fred (also Welker), Daphne (Grey Griffin) and Velma (Kate Micucci) promise not to solve any mysteries for the foreseeable future because they’ve like, had it, man! Enough of that spooky stuff, they just want to watch horror movies where the monsters are fake.

When they win a trip to Zombie Island from an Elvira marathon show, we realize that most of the group don’t know how to live without sleuthing. Shaggy and Scooby will always have their food (and by the way, all the food in this film still looks delicious), but Velma only has her sleuthing. It’s also annoying when Shaggy and Scooby are attacked by zombies and they all think there’s a rational explanation for it because they can’t investigate the mystery. It’s convoluted and irritating, but the film becomes okay when Shaggy and Scooby release them from their promise and let them investigate the strange happenings and why they were invited to the island.

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Zombies in Scooby-Doo: Return to Zombie Island. (IMDb)

Then, we realize why they had the whole convoluted thing about them not being able to investigate the mystery – because there’s not enough story in this film and there’s not much of a mystery. They literally have to kill about 35 minutes here so they can get it to feature length. If they were allowed to investigate from the get go, Velma would have solved this “unsolved mystery” (as she calls it on her blog) in about 10 minutes.

A note about the voice cast: I like the cast and how it’s adapted over the years, like now that Frank Welker is voicing Scooby as well as Fred. Matthew Lillard voicing Shaggy in animated projects since 2010 is a stroke of brilliance because he really embodied Shaggy in the live-action films (Scooby-Doo and Scooby-Doo: Monsters Unleashed). Of course, I also like Grey Griffin as Daphne, as she’s voiced her in feature films since my personal favourite Scooby film, Scooby-Doo and the Cyber Chase. My only complaint is Kate Micucci. I like her as an actress, and though she’s voiced the character since 2015, I’m still getting used to her. Her voice fits the character, but her voice is just so distinct I still hear too much Micucci and not just Velma.

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Matthew Lillard and Frank Welker as Shaggy and Scooby in Scooby-Doo: Return to Zombie Island. (IMDb)

Anyway, Return to Zombie Island still does have a couple clever moments. The classic Scooby chase scene where they go from room to room will always be funny. The film’s also clever in a character name that would be a spoiler, but that is with Alan, played by John Michael Higgins (and this casting is solid). I think the best joke is when Fred is recapping the first film and Shaggy is just shouting, “We know, man, we were there!” It’s helpful exposition for those who might forget the first film, and it’s a good meta joke, but even recapping it so blandly takes away some of the joy of the first film.

The original is one of my favourite Scooby movies and I love these movies, and this one is just rough to watch and feels lifeless. By the end of it I didn’t care to hear anyone call our gang meddling kids because the story isn’t interesting. Its biggest problem is just breaking that sacred formula of investigating a mystery and getting called meddling kids, as the random introduction of them retiring just takes away my enjoyment. The formula’s still there, it’s just buried under a lot of Scooby Snacks.

Score: 40/100

Review: Guardians of the Galaxy (2014)

Source: IMDb
Source: IMDb

Released: August 1, 2014. Directed by: James Gunn. Starring: Chris Pratt, Zoe Saldana, Vin Diesel. Runtime: 2hr., 1 min.

If a time traveller had told me that the writer of Scooby-Doo, James Gunn, would co-write and direct one 2014’s most enjoyable films, I would be hesitant to believe them.

But with co-writer Nicole Perlman, he does so with Guardians of the Galaxy. And it hits a perfect strike in every aspect. The Marvel comic book films’ humour fits this film like a glove.

Its laugh-out-loud funny consistency suits the film’s easy-going tone. The humour is clever and often literal. The simplistic story follows Peter Quill (Chris Pratt), subject of a manhunt after he finds a powerful orb. The orb has caught the eye of Ronan the Accuser (a strong Lee Pace), who is to deliver it to the powerful Thanos.

Ronan, a Kree who takes the beliefs of his people very seriously, has been pillaging planets motivated after his people signed a Peace treaty with the planet Xandar. Djimon Hounsou portrays one of Ronan’s henchmen. His villainous side is fun to watch.

Also on Peter’s tail is Yondu, portrayed by The Walking Dead‘s Michael Rooker, leader of the Ravagers and the man who abducted Peter 26 years ago. His deadly power allows him to control a tiny spear with varying whistles.

Even with the two crews are after him, the film doesn’t feel over-crowded with multiple antagonists. Impressively, this introductory film has great pacing. The characters fit superbly into the Marvel universe, in between the characters of the Avengers group.

I prefer this crew over them, which surprises me because I don’t usually favour these space movies. Peter Quill is a great character and an outlaw who calls himself Star Lord. He’s an average hero with cool gadgets and a great sense of humour.

Chris Pratt brings his charisma and training to the role, after losing sixty pounds to take on the role. There is a familiar character arc with Quill where he has a letter and gift from his late mother that he doesn’t open. Though, he does like music from the 1970’s and 80’s, which enables this to be my favourite soundtrack from 2014.

Gamora, Zoe Saldana, is like a living weapon who works for Ronan. She is also the adopted daughter of Thanos, and her sister, the villainous Nebula, portrayed by Karen Gillan, is badass in her own right.

Rocket Raccoon, voiced by Bradley Cooper who only vaguely sounds like himself, is a bounty hunter driven by money. The character is given poignancy through the fact that he is the only one of his kind – half-machine, half-raccoon, the result of an illegal experiment.

Vin Diesel portrays Raccoon’s best buddy Groot. “I am Groot” is a phrase he regularly says in varying volumes and emotions, actually recording the phrase about one thousand times. Groot is among a species of walking trees who could have just come out of Middle Earth. The quiet character is surprisingly funny. Rocket is like a translator of Groot’s tones. Diesel is just as effective as he was when he voiced the titular Iron Giant back in 1999, also a character of few words.

The final piece of the group is Drax the Destroyer, a great Dave Bautista, who is driven by vengeance for his wife and daughter. Ronan killed them. Money is the group’s main drive, but Groot seems like he’s just along for the ride. Their drives make them relatable, and they work so well because they’re an unlikely cast of characters.

The make-up specialists, in special effects and in general, outdo themselves, especially with Dave Bautista, Zoe Saldana, Lee Pace and Karen Gillan. The story’s heart in such a compelling and easy-going film is just astounding. Due to the film’s great visuals, top-notch writing and its ability to surprise its audience, it just has to be seen.

Score100/100

Trouble with the Curve (2012) Review

Trouble with the Curve

Release Date: September 21, 2012

Director: Robert Lorenz

Stars: Clint Eastwood, Amy Adams, John Goodman

Runtime: 111 min

Tagline: Whatever Life Throws at You

Gus (Clint Eastwood) is a good old fashioned baseball scout who doesn’t rely on computers to give him all the needed statistics. In a technology dominated society, this could cause problems. Gus isn’t in his glory years, and he is now having difficulty seeing properly. He goes on one last recruiting trip, and much to his dislike, his daughter, Mickey (Amy Adams), tags along.

Trouble with the Curve is filled with clichés and it has a great amount of predictable moments and outcomes, but that doesn’t stop it from being enjoyable. Clint Eastwood is type-cast and plays that dynamic-seemingly-unpleasant-stubborn-old-fart. Amy Adams is that all-work-and-no-play(makes Mickey a dull gal) character. The characters are pretty solid, and there are great actors coming out the ying yang – Eastwood (who came out of acting retirement to do this), Adams, Justin Timberlake, John Goodman, Robert Patrick, and Matthew Lillard.

Some may be turned off by the baseball vibe of it all, but anti-baseball lovers, don’t threat, because it’s not all about baseball – there’s enough humour, relationship building and self-sacrifice to make it enjoyable for those who don’t like the game. Though, it does help if you enjoy it at least a little bit.

It really does offer a great story and narrative, and most of the characters have quite a few layers. The film is enjoyable, and it doesn’t overstay its welcome. It’s like a roller coaster of feel-good moments and emotional moments. There aren’t any bad scenes, but some just aren’t extremely memorable. Trouble is an experience that is very memorable and extremely enjoyable for baseball fans, but it might just offer entertainment and not make a lasting impression to non-baseball fans.

The only bad characters, really, are the baseball player that Gus is scouting, and Matthew Lillard’s. Lillard has gone from the sort-of annoying stoner Shaggy in the Scooby-Doo films to an adulterous prick in The Descendants to a young baseball scout who thinks he knows everything there is to know about the sport, in this.

Eastwood’s character seems unpleasant, stubborn and reserved; but that’s probably because of his vision going, an upcoming threat of possible retirement, and that utter need for independence that a lot of elders possess.

The father-daughter relationship seems pretty timid, but it makes for some nice scenes throughout the feature.

There are some cool visuals, like when Gus is looking at something and his vision goes awry. At first, in all honesty, I thought I only percepted the screen as blurry!

Trouble stars Clint Eastwood, Amy Adams, John Goodman, Justin Timberlake, Robert Patrick and Matthew Lillard, to name a few.

There’s a lot of nice humour here and there, some great scenery and visuals, and there’s great chemistry created between the actors (even though Lillard is that one odd guy out). There are some draining moments and predictable moments, but it still is quite enjoyable, and really doesn’t overstay its welcome. Baseball lovers run out and see it, and non-lovers of the game, I give you permission to wait until it comes out on home media.

80/100