Release Date: April 20, 2012
Director: Scott Hicks
Stars: Zac Efron, Taylor Schilling, Blythe Danner
Runtime: 101 min
Nicholas Sparks’ films are just that old extended fable: love conquers all. This is just another one of his predictable, boy meets girl and then loses girl, romantic love stories. None have yet achieved the quality of The Notebook and this doesn’t even come close.
U.S. Marine Sergeant Logan Thibault (Zac Efron) arrives home from his third tour duty in Iraq, with a photograph of his own personal guardian angel: a woman he doesn’t even know. He goes home and feels he is not where he belongs; so he types ‘lighthouse’ into Google (because in the photo, she’s standing in front of a lighthouse) and he magically finds a correct match (among millions of Google images, that’s very possible). He walks from Colorado to Louisiana and he soon finds Beth (Taylor Schilling), the mystery girl. He gets a job working for her, and he starts building relationships with her, her son, Ben (Riley Thomas Scott) and her grandmother, Ellie (Blythe Danner), much to the dislike of Beth’s ex-husband, Keith (Jay R. Ferguson).
Oh, dear God, Nicholas Sparks! Stop it with these stories, please! And to the studios, stop adapting his works! Oh, I nearly forgot why they make this stuff… for the money and the target audience. The people who actually like this schmaltzy and schlocky crap: females of nearly all ages. Though, mostly, it’s teenage girls who like young attractive actors or actually enjoy the works of Sparks.
Anyway, the latest Nicholas Sparks adaptation is dull and uninteresting, but it’s a little better than 2010’s The Last Song. However, that is not an impressive feat. Sparks forgets to incorporate any sort of realism into this tale. Within the first fifteen minutes of the film, Logan is able to track down Beth and get a job working for her. That’s done like a true stalker, right? The characters that Sparks so desperately tries to compose aren’t interesting at all.
Logan only wants to live out what he thinks his destiny is: being with her (how sweet…). He thinks it’s a sign from above, but he doesn’t even have the courage to tell her he found the photograph of her. Doesn’t he realize that’s going to blow up in his face? He must have watched some romantic flicks before he left for Iraq! Then, we have Beth. She’s a former teacher who’s afraid to get back into the dating game, or any game of reality, because of an overbearing Sheriff ex-husband. I’ll get to that scum in a minute. The son of Beth (Ben, portrayed by the not-so-cute-but-really-annoying Riley Thomas Stewart) is an uninteresting character that is afraid of coming out of his shell, but Logan soon helps him. That, in turn, warms Beth’s heart. Nana is probably the most interesting character, but she wasn’t really developed at all (she was there to offer some jokes). The characters are really that bad.
Now, for the ex-husband, Keith. He’s simply that over-the-top asshole that nobody likes. He wants to take the kid away, and every single word he utters is a speeding river of stupidity.
The Lucky One is a love story that has some concepts of destiny and fate thrown in it. That really doesn’t help the film at all. However, there are a few redeeming qualities, but not merely enough to allow anywhere near a passing grade. The lame movie is fairly well-acted by Zac Efron and Taylor Schilling. Blythe Danner is pretty satisfying, too. To complement them, there are many beautiful shots of the Louisiana country-side. The film also benefits from the complete eye candy that is Taylor Schilling. If only the ladies showed more skin in Nicholas Sparks flicks!
This basically gets brought down by its poor characters, lack of realism, its predictable premise and its poor storytelling. It gets tugged down about as much as Gandalf got pulled down by the Balrog in The Lord of the Rings: The Fellowship of the Ring. The main difference being: Gandalf kept fighting with great force; while The Lucky One gets a few half-hearted punches in, but it came nowhere near to tasting victory. Heck, this doesn’t even deserve a comparison to a film like Fellowship, but the comparison works well – so I just had to use it.
The Lucky One is the same old romantic tale that is made even more irritating by its very over-the-top and silly antagonist. It may be satisfying for its target audience; but for me, the only entertainment I found was the sound of my own voice offering a commentary mocking practically the entire feature.