Directed by: Clint Eastwood. Starring: Paul Walter Hauser, Sam Rockwell, Olivia Wilde. Runtime: 2h 11 min. Released: December 13, 2019.
American security guard Richard Jewell saves thousands of lives from an exploding bomb at the 1996 Olympics but is vilified by journalists and the press who falsely reported that he was a terrorist. One of my favourite sub-genres of films are false accusation movies where the main character must clear their name with the help of others, and Clint Eastwood’s Richard Jewell falls into that category. It’s also a story of heroism that turns tragic when Jewell’s five minutes of fame turns into a nightmare.
This nightmare starts when Olivia Wilde’s character, journalist Kathy Scruggs gets a report from one of the leading federal agents, Tom Shaw (Jon Hamm), that they’re investigating Jewell as the bomber. The Feds think he fits the profile because he’s always wanted to be in authority but not able, and this on his resume would catapult him into an authority role. From here, the feds they tunnel-vision onto Jewell because they think it just fits so well.
Wilde and Hamm are both convincingly despicable. Their unlikability feels unrealistic at times, especially Shaw because he’s so cruel to Jewell – and that’s not to mention the unethical things he and partner Brandon Walker (Mike Pniewski) do – but it all feels reflective of how nightmarish this situation must have been for the real Richard Jewell.
Paul Walter Hauser turns in easily one of my favourite performances of last year as Richard Jewell. He’s been on my radar since 2017’s I, Tonya as an absolute scene-stealer as Shawn there, but he steals the entire show here as Jewell. He plays mean security guard at the beginning well but that’s just because he wants respect, and you can tell Jewell just wants to do his job well.
His compassion is endless and his patience throughout this whole ordeal is heartbreaking because of the way he’s treated, they don’t deserve that patience. In key scenes he shows he’s just as angry as everyone else even if he doesn’t express it, but you can see it in his eyes. His scenes of vulnerability are great and the only thing that Jewell’s character is guilty of is respecting authority too much. It doesn’t spoil anything, but a scene of Jewell with eating a doughnut is great acting. That sounds silly without context, but it is one of the film’s best scenes.
Sam Rockwell is also great as Richard’s lawyer, Watson Bryant. His fight for Richard is nice and their chemistry is great. The chemistry shines from the opening scene as Richard briefly works at his firm and Watson is the only one who treats him as a person. Kathy Bates is heartbreaking as Richard’s mother Bobi Jewell, and Bates plays her with great vulnerability. If anyone has a harder time in this situation than Richard, it’s his mother and she shows this in a few key scenes. Her recreation of Bobi Jewell’s real-life speech is flawless as she pleas the press to lay off Richard.
The story itself has good pacing and feels like an accurate depiction of what happened. Screenwriter Billy Ray does a strong job with the screenplay, adapting a magazine article by Marie Brenner. The scene where the bomb goes off and its lead-up is so suspenseful and is well-directed by Clint Eastwood. This is truly just a great story of a regular guy caught in an undeserved media circus.
Released: July 5, 2013. Directed by: Nat Faxon and Jim Rash. Starring: Sam Rockwell, Steve Carell, Toni Collette. Runtime: 103 min.
As I’m sure you’ve been able to tell; I love coming-of-age movies. Well, I love movies in general – but I find myself really enjoying movies like these. I think there’s something important about finding one’s place in the world; or even if it just means gaining confidence and growing as a person. The latest movie to the coming-of-age summer movie cannon is “The Way Way Back” helmed by Nat Faxon and Jim Rash.
Now, it may seem like I’ve seen Faxon through an unfair eye, mostly because I’ve said “who is surprisingly an Oscar winner” time and time again. Is it unfair that I was surprised to hear he has won an Oscar? I don’t think so. If one only looked at his on-screen filmography prior to this, he’s been in such mediocre hits as “Slackers,” “Club Dread,” “Beerfest,” “Bad Teacher” and “The Slammin’ Salmon.” Now, I don’t think any of those scream, or even whisper, Oscar contenders. He just doesn’t seem like he’d be pinned as an Oscar winner. (By the way, both he and Rash have won their Oscars for co-writing “The Descendants.”)
Both have definitely made a splash in the writing department, and this is no different. They’ve grown from being That One Guy Who Shows Up in the Broken Lizard Movies and the Dean on “Community,” to real above-average filmmakers that I love (but it’s not as if I didn’t like them before). I guess you could say, in my eyes, they’ve come of age in terms of their careers.
The story concerns Duncan (Liam James), a fourteen year-old boy who is dragged to a summer vacation spot with his mother (Toni Collette) and her over-bearing boyfriend Trent (Steve Carell). Duncan has a rough time fitting in, but he finds a friend in the manager, Owen (Sam Rockwell) of the Water Wizz water park.
Faxon and Rash design the film like experts. As soon as we’re introduced to the characters, they’re either instantly likeable, or you’ll just as instantly get a bad feeling about them. The only character one will get a sudden bad feeling about is Trent, portrayed by Carell. That’s his purpose. He’s the sort-of character that will be a total dick just because he can. When crappy situations happen, his mindset is to simply forget about them the next day. Carell plays the character well. Take Carell’s Burt Wonderstone and subtract the obnoxious way about him; replace it with the everyday soon-to-be stepfather, and you have the biggest dick in the movie, Trent. He plays a major role in stalling Duncan’s confidence.
Toni Collette’s Pam (Duncan’s mom) is usually likeable. Like most of the adults in the film, they take their kids along with them to this vacation spot. As one character puts it, “it’s Spring Break for adults.” This expresses the selfishness of many adults in the film (save the workers at Water Wizz, but more on that later). They’ll party and have a good time, but they won’t bother to include the children. That is very much the case with Allison Janney’s eccentric performance of Betty, mother of Susanna (AnnaSophia Robb), and Peter (River Alexander), where she constantly points out his horrible case of lazy eye. The actress is hard not to love, even when she’s criticizing a character. It’s the way some mothers do, and it’s downright hilarious for the audience.
Of course, there is Duncan. The hero of the film. He has a difficult time feeling he belongs. He’s awkward and shy, which it seems many can be at the age of fourteen. (Like I was.) But he grows as a person throughout the film and it’s a treat to watch. We get to see the good, the bad and the ugly of adolescence through his eyes, and just like the tagline states, “we’ve all been there.” The ugly is, of course, his stepfather. He’s also the bad. The good is Water Wizz water park and Susanna. (A potential love interest of Duncan’s, and she’s older, to boot!)
He meets Rockwell’s Owen, a person who teaches him that it’ll get better and makes him feel welcome. He offers him a job at Water Wizz, and he slowly gets Duncan out of his shell. Owen is the type of person that can make anyone feel welcome. He jokes about everything. He’s the type of person everybody knows. He could be your uncle (my Uncle Danny in my case), a father or a best friend. Sometimes his constant jokery gets in the way of personal interests (mainly Maya Rudolph’s character), but he’s the type of shoulder everybody needs at some point in their lives.
“The Way Way Back” might not pack the largest emotional punch. It didn’t make me cry, though I was close. Perhaps I wasn’t in the crying mood? Compared to the other coming-of-age movies so far this year, there’s more of a punch than “The Kings of Summer,” but less than “Mud.” More than a few scenes in the film pull at the heartstrings, and this is an uplifting and well-acted tale. It’s entertaining, hilarious and very enjoyable, if a little light-hearted at times.
Liam James may not be the strongest performer out of the bunch (who could be against Rockwell, Carell, Collette, Janney, Robb, Rob Corddry and Amanda Peet?!), but he has a timid charm about him. He shows promise, especially because his eyes are super expressive. I’ve always been attracted to Robb’s delicate kindness about her, and the characters she portrays. I want to see more of her.
Rash and Faxon show up in supporting turns as employees at the Water Wizz water park. Jim Rash plays a hilarious germaphobe named Lewis; Faxon is another employee named Roddy, master of the holding technique where he asks hot girls to wait to use the slide. These two truly understand what being a teen is like, because, like everyone else, they’ve been there. Faxon and Rash, and Stephen Chbosky (author, writer/director of “The Perks of Being a Wallflower”), may be their generation’s John Hughes. We’ll see in time.
One last thing. There is a concept of going your own way in this film. Characters are taught to not follow patterns and to choose their own path. There’s a point where characters (minor and major) are trying to pass each other in a water slide. Perhaps this is only boys will be boys tom-foolery. Maybe it’s about doing things differently, not following the norm, and making your own path. I’m not certain; it’s ambiguous and that’s the purpose. I am sure, though, that Faxon and Rash have penned a smart coming-of-age dramedy.
Hi everyone, this is my post for the movies I’m most anticipating this month. I’m going to leave out the ones I’m not anticipating (but will be seeing), because who wants to write a paragraph about a movie they’re not particularly passionate about? (I’m talking about you, GROWN UPS 2.) I’ll be writing reviews about those said movies, but that’s for another day – and I love writing reviews. So, that’s good, then. I’ll start with a few thoughts on the movies I can wait for, but I am looking forward to watching.
Plot: The true story of Oscar, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.
I like a good bio pic and a good emotional drama, so I’m intrigued by this. It also has critics raving, so I’m hoping it’s good. I thought Michael B. Jordan is great in CHRONICLE, and I like Octavia Spencer in just about anything.
Plot: Retired black-ops CIA agent Frank Moses reunites his unlikely team of elite operatives for a global quest to track down a missing portable nuclear device.
I can mostly wait for this one because I haven’t seen the first. I own it, so I’ll watch that this week or next or something, and then maybe I’ll be a bit more excited about this one. I love a good crime comedy, and the cast intrigues me.
Plot: A recently slain cop joins a team of undead police officers working for the Rest in Peace Department and tries to find the man who murdered him.
I don’t know if this will be a box office hit – but it does look very amusing. I love the first and third MIB movies, so I’m pretty intrigued by this. It looks fun, and Jeff Bridges has many great one-liners in the trailer.
Plot: Feeling pressured to become more sexually experienced before she goes to college, Brandy Clark makes a list of things to accomplish before hitting campus in the fall.
This looks like a predictable comedy, but it does look very funny. I like EASY A a lot, and this seems to have similar awkward humour. I’m curious to see how Aubrey Plaza will do in her first leading lady role. (I’ve seen a few episodes of TV’s PARKS AND RECREATION and it’s just hilarious.) There are some real laugh-out loud moments in the trailer, especially Clark Gregg’s thoughts on taking the back door.
Plot: A freak accident might just help an everyday garden snail achieve his biggest dream: winning the Indy 500.
I like the voice cast and the simple thought of Ken Jeong voicing a little Asian grandma makes me giggle. This looks like DreamWorks Animation’s answer to CARS and FAST & FURIOUS, and maybe even RATATOUILLE (instead of rats and cooking, it’s snails and racing). I think the idea’s just as silly as Stuart Little playing soccer, I mean, this little snail is probably going to get run over. I think I’ll enjoy the movie a lot, regardless.
Plot: Wolverine makes a voyage to modern-day Japan, where he encounters an enemy from his past that will impact on his future.
This looks pretty cool. I’m not huge on superhero movies, but I do enjoy the X-MEN movies. I’ll have to have a marathon soon to pump up for this one a bit more. It looks good, but it could be so much better if Darren Aronofsky really did end up directing it. I guess I’m really just hoping it’s better than X-MEN ORIGINS: WOLVERINE.
Now these are the ones I’m really excited for.
Plot: When an alien attack threatens the Earth’s existence, giant robots piloted by humans are deployed to fight off the menace.
I think this looks awesome. I haven’t seen any GODZILLA movies, but I like a good monster movie. And, this is monsters AND robots. Whoa. It sounds like it could be everything BATTLESHIP and TRANSFORMERS aspired to be. Lots of fun, and well-made. And Del Toro is at the helm! I might have to re-watch CLOVERFIELD and find a GODZILLA movie online this week to get a bit more excited. It seems action-packed, and frankly, I want to see the movie right now, and not just the trailer. But I don’t think I’ll ever get tired of hearing Idris Elba shout, “Today we are cancelling the apocalypse!”
Plot: Julian, a drug-smuggler thriving in Bangkok’s criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother’s recent death.
I love Ryan Gosling and the director, Nicholas Winding Refn, and DRIVE is one of my favourite movies of 2011. The story intrigues me, as well. While critics haven’t exactly been praising the movie, I think it could be pretty awesome. It might be wavering my expectations ever-so-slightly, but I’m still really looking forward to it.
Plot: Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.
I think James Wan is a fantastic director. I’ll have to watch INSIDIOUS to get a vibe of his atmospheric haunting flicks, though. This looks absolutely terrifying, and while I’ll probably be watching the movie through the my fingers, I can hardly wait. Vera Farmiga is great, too. The trailer creeps the hell out of me, and I love it. The true story edge is even spookier – so, I just want it to be July 19 already. It would be great if this will birth a Warren files franchise.
Plot: 14-year-old Duncan’s summer vacation with his mother, her overbearing boyfriend, and his daughter. Having a rough time fitting in, Duncan finds an unexpected friend in Owen, manager of the Water Wizz water park.
I love a good coming-of-age tale. THE PERKS OF BEING A WALLFLOWER is my second-favourite movie of 2012. And THE DESCENDANTS is one of my favourite movies of 2011. Two of the Oscar-winning writers from that movie (Nat Faxon, supporting actor in most of the Broken Lizard movies, and Jim Rash, the Dean on TV’s COMMUNITY) co-write and direct this one. I love the cast so much. Steve Carrell as a major jerk, Sam Rockwell, Rash in a supporting role, AnnaSophia Robb, and Rob Corddry, Toni Colette and Allison Janney. Suffice to say, it sounds amazing – and I can hardly wait for this to come to my city.
Plot: Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal.
I love the original DESPICABLE ME 2. This sequel looks amazing and hilarious. I can hardly wait for it. I love Gru and the minions, and I think this will be a real winner with a lot of heart and some great action. And new villains, of course. This is not only my most anticipated movie of July – but it’s probably my most anticipated movie of the year. (But, I’ll have to make a list to see if that’s true. I might be a bit more excited for KICK-ASS 2.) I can’t wait to have a second helping of the minion madness, though. Anything under a score of 75 will be disappointing. I hope this is in the same league as the first.
Stars: Robert Downey Jr., Gwyneth Paltrow, Don Cheadle
Runtime: 124 min
After a great introduction to the Tony Stark/Iron Man character, the first sequel doesn’t impress and it’s overwhelmingly average. The movie doesn’t soar as high as Iron Man can really go. It isn’t a bad addition to Marvel’s collection of movies, it’s just not as great as it could be.
Stark is dying because his arc reactor is spilling poison into his body at this point. The world knows he’s Iron Man. He’s practically the only super hero in the world to ever reveal his identity. I guess that’s what one person gets when they’re 20% (filled with) poison, and 80% ego. That “you can take the man out of the suit, but you can’t take the suit out of the man” character conflict phases Stark. He’s also, of course, facing some ole comic book villains.
Sam Rockwell’s Justin Hammer is much too reserved, and the fantastic actor goes really underused and he hardly has a chance to shine. Mickey Rourke is good as Ivan Vanko. The electric whips he uses are mighty cool. The movie’s finale is great, but everything leading up to the satisfying end; is usually good, rarely boring, fairly silly, and a lot underwhelming.
Stars: Tom Hanks, Michael Clarke Duncan, David Morse
Runtime: 189 min
Tagline: Miracles do happen
Did you know? Originally set in 1932, the timeframe was bumped to 1935 so the movie Top Hat could be featured.
The lives of guards on Death Row are affected by one of their charges: a black man accused of child murder and rape, yet who has a mysterious gift.
The Green Mile follows one of the most miraculous stories of fantasy and mystery to ever be told. It’s filled with fantastic performances, awesome characters, a great story, great direction and superb writing.
This film is based on the Stephen King novel of the same name. It combines crime, drama, mystery and fantasy and makes it one of the best features I’ve ever seen. The good majority of the characters are Death Row inmates, so there is a good helping of crime in this, as each of those inmates did a horrendous crime to get in there. However, a good percentage of the inmates’ fatal sins are never exposed. The purpose of this is for when the inmates take a seat in Old Sparky, the Green Mile’s infamous electric chair, we must get emotional. We wouldn’t get as emotional as we do with a select few characters if we actually knew they were convicted rapists, like one character is revealed as in the source novel. One of the primary characters, John Coffey (“like the drink, only not spelled the same”), is actually accused of child murder and rape. There’s great emotional depth in the feature, and it’s surprising how emotional an audience can get about a few inmates dying for their sins. Both the mystery and the fantasy interlap with each other, because the real mystery is what Coffey’s gift is exactly, and what his purpose is in the dark world.
Stephen King is the one to write the original novel, and he is a great person to analyze the darkness of the world, and the darkness that fill the hearts of some people. This brings in the concept of the world only being a dark home, with people who kill others for joy, or killers who use little girls’ love to kill each other with. This is a story of some inmates who can actually feel remorse, and die for others.
Michael Clarke Duncan is the best he has ever been as John Coffey. He may be a giant, but he is such a tender soul with a heart as big as a semi-truck. The fact that this brute of a man is afraid of the dark reminds me that the world is a scary place, and he is just as vulnerable to the dangers of the universe as much as Mr. Jingles may be. Even though Coffey is in no certain danger of being squashed by Percy Wetmore.
Percy is one of the most despicable characters of the feature, but he is really a fascinating character, who is well-performed by Doug Hutchison. Percy is established as a young, ignorant man who thinks he is the only one in the world with connections, and he doesn’t understand that there are consequences with every action, something he learns the hard way. He is also hungry for power, but power is earned and not given freely. He is a young person who really, for some reason or another, wants to see a death up close. This adds a disturbing aspect to the feature, but a very necessary one. It all goes in the expertly mended mix of genres and concepts.
One of the meanest cats around town, among the prisoners, is Wild Bill (played by Sam Rockwell, who seems like he had a hell of a time). He is a sort-of comic relief, but he is also a character that is critical to the story development. Much like Percy, he is the sort of character that you might hate, but you can’t help but appreciate.
Tom Hanks delivers a solid performance as Paul Edgecomb with the help of others in the cast: David Morse as Brutus, Bonnie Hunt as Paul’s wife, James Cromwell, Michael Jeter as Eduard Delacroix, Sam Rockwell and Doug Hutchison as the despicable Percy Wetmore. However, no one is better than Michael Clarke Duncan. Duncan is in his finest hour with his performance as the tender John Coffey, a giant, uneducated black man who has seen too much darkness in the world.
A vast majority of the film is set in the prison, with only ones’ home life expressed are Paul’s and the warden, Hal Moores’. It actually works for it. There are amazing characters all-around, even Percy, one of the most despicable characters in all of cinema. With fine pacing as well as characters you’ll find yourself so enveloped with, this film is equal parts beautiful, emotional, and extremely engaging.
The direction is great, Darabont wonderfully brings King’s novel to life. He may have left a few things out, but he stayed faithful to the key elements. And, often enough, the reason Darabont left a few things out was to allow us to feel emotional if anything happened to them. Darabont writes in all sorts of hidden elements, even adding onto King’s novel. These changes aren’t nearly as severe as Kubrick’s to King’s The Shining, so it’s great he stayed so faithful to such a mesmerising and spell-binding story.
In a nutshell:The Green Mile is my favourite film. It is profound, disturbing, charming, engaging, sad, and funny. These amazing performers bring the characters of King’s novel to life; characters as small as the little circus mouse, Mr. Jingles, to as big as John Coffey himself.
Oh, my favourite part of my favourite film is very, very hard to choose, but that scene where John is watching his first “flicka show”, Top Hat, is up there because it’s just so charming.
Also, check out this “brief discussion” of the film I had with Joe over at his blog, Two Dude Review. This discussion really does prove it’s a movie that’s difficult to stop talking about!
Happy 30th birthday to Ben Foster. He often plays eerie roles, like in Hostage or in 30 Days of Night. Foster is a great screen presence and he’s best known for his roles in 3:10 to Yuma, Pandorum, The Messenger, and The Mechanic.
My favourite films with Foster in a leading or supporting role: Hostage (2005) — Alpha Dog (2006) — 30 Days of Night(2007).
The late John Candy would have been 62 on Halloween. He is a household name because of his charisma, and cheery and exciting screen presence. He is best known for his part on the TV’s SCTV, Spaceballs and Uncle Buck.
Favourite John Candy films:Uncle Buck (1989) — Home Alone (1990). Don’t worry, I’ll make sure to see more!
Happy 44th birthday to the great Sam Rockwell! Rockwell is best known for his roles in Moon, The Green Mile, Iron Man 2 and Frost/Nixon. You can see him in theatres in the film Seven Psychopaths.
My favourite Sam Rockwell films: The Green Mile (1999) — Seven Psychopaths(2012) — Galaxy Quest (1999) — The Hitchhiker’s Guide to the Galaxy (2005).
Happy 24th birthday to Emma Stone! Sarcastic, and she’s both awkward and sexy at the same time. What’s not to love about her? She is best known for her roles in The Help, Easy A, The Amazing Spider-Man, and Zombieland.
My favourite Emma Stone flicks: The Help (2011) — Superbad (2007) — Zombieland (2009) — Crazy, Stupid, Love. (2011) — Easy A (2010) — The House Bunny (2008).
Happy 38th birthday to Leonardo DiCaprio. He has a large filmography that started with a humble beginning, and became greater things. He is best known for his roles in Inception, Titanic, The Departed and Shutter Island.
My favourite Leonardo DiCaprio flicks: Blood Diamond (2006) — Catch Me If You Can (2002) — Titanic (1997) — Inception (2010) — Shutter Island (2010) — What’s Eating Gilbert Grape (1993) — Romeo + Juliet (1996).
Other Birthdays: Oct. 29, Winona Ryder (41); Richard Dreyfuss (65). Oct. 30, Kevin Pollack (55). Oct. 31, Peter Jackson (51). Nov. 5, Tilda Swinton (52); Robert Patrick (54). Nov. 6, Ethan Hawke (42); Sally Field (66); Rebecca Romijn (40). Nov. 10, Josh Peck (26). Nov. 11, Stanley Tucci (52); Demi Moore (50).
Stars: Colin Farrell, Woody Harrelson, Sam Rockwell
Runtime: 110 min
Tagline: They won’t take any Shih Tzu
Marty (Colin Farrell) is a struggling writer trying to write up a screenplay entitled ‘Seven Psychopaths’. He doesn’t really know how to start it out, and is struggling to find inspiration. His friend Billy (Sam Rockwell) tries to offer him some inspiration, despite constantly accusing him of being an alcoholic. Marty soon becomes entangled in the Los Angeles criminal underworld, much to his dislike, after his oddball friends kidnap a gangster’s (Woody Harrelson) prized Shih Tzu.
The screenplay is smart and fun.
The plot is great and the film is just a fun experience. The pacing can feel a little off, and the plot can get quite ridiculous, but that’s what makes it fun.
If there’s any message I would have taken from this is that McDonagh makes great and original films, and his humour can sometimes be similar to that of Quentin Tarantino. The film is fun and can get a little crazy, but who could have thought up a plot so ridiculous? There is a lot of humour found in the most intense of situations, and I love that.
One of the funniest things about this film is all this carnage was started over a little Shih Tzu. Nope, not a wife, not a bunch of stolen cocaine, not the kidnapping of a best friend (even though a dog can be a man’s best friend) or anything like that – but a freaking Shih Tzu dog named Bonnie.
I love the characters. Even Harrelson, who is the main antagonist, is a great character. Who thought psychopaths can absolutely be this lovable and hysterical? My favourite character would be a hard answer to give. The female psychopaths (played by Abbie Cornish and Olga Kurylenko) would be out first, because they hardly have a lot of lines of dialogue at all. Tom Waits’ character of Zachariah is hysterical. Of the main protagonists, Billy (Sam Rockwell) would be the funniest, and then Hans (Christopher Walken). Generally, Charlie (Woody Harrelson) is my favourite, because he is just hysterical. Each character is well-developed.
For those of you who may have seen McDonagh’s In Bruges, will be familiar with his certain sense of humour, and you may also know that his films have the tendency to get extremely gruesome. There is gore left right and centre in this film, but for anybody who likes that sort of stuff – will be probably love this.
The film offers a laugh at least every two minutes, and its spikes of crime and violence are great. Some of the time there are flashbacks and stuff which are good, and there are also movie-within-a-movie subplots which are effective. The moods set for this film is great, and all the subplots and general plot are extremely clever.
Seven Psychopaths stars Colin Farrell, Christopher Walken, Sam Rockwell, Woody Harrelson, Olga Kurylenko, Tom Waits, Abbie Cornish and Zeljko Ivanek.
Seven Psychopaths is a clever screenplay that can have some poor pacing, and offers a fairly simple, ridiculous, yet clever plot; but, it is another winner from writer/directer Martin McDonagh. It can be equal parts brutal, clever and hysterical. It is most of all extremely memorable, has great characters and a very good cast. Each cast member portrays their characters well. This is yet another 2012 film (I’m talking about Ted or 21 Jump Street, not Project X) that proves that this is a year to beat for comedies. and this may just have to get an Oscar nomination for Best Original Screenplay.