Stars: Colin Farrell, Brendan Gleeson, Ralph Fiennes
Runtime: 107 min
Tagline: Shoot first. Sightsee later.
Martin McDonagh brings us a great action comedy in his first feature film endeavour.
Colin Farrell portrays a hitman named Ray. Ray is currently in a bad state, because he is guilt-ridden because of a job gone wrong, where he accidentally killed an innocent bystander. He and his partner in crime, Ken (Brendan Gleeson) get put in a small bed and breakfast in Bruges, Belgium. They are told to wait there by their boss, Harry (Ralph Fiennes), who tells them to sightsee and enjoy the scenery. Ken’s all up for it, but it’s not particularly something that interests simple-minded Ray. Once Harry finally gives the job to Ray, he isn’t sure if he can go through with it – and must have an internal fight of morals to make his final decision.
McDonagh has a real knack for making the seemingly worst of people, like in this film hitmen, and turn them into great and fairly likeable character. Ray is likeable, despite his constant pessimism and irritability. In McDonagh’s most recent film, and second feature film, Seven Psychopaths, he makes a set of psychopaths into likeable characters.
His unique character development is great because you can easily get emotionally invested into these colourful characters. Each character is pretty great.
There are quite a few gruesome scenes, but they are pretty fun to watch, especially if gruesome action is your forté. The comedy is pretty great, I was chuckling in a few scenes and was laughing uncontrollably in others. If you do love this sort of gruesome action and McDonagh’s brand of comedy, it’ll sort of be an action-comedy styled Heaven.
Colin Farrell, Brendan Gleeson, Ralph Fiennes, Clémence Poésy, Jérémie Renier, Jordan Prentice, Thekla Reuten, Mark C. Donovan, Zeljko Ivanek, Eric Godon and Rudy Blomme star in this film.
In Bruges is a great cinematic experience that is unique and definitely deserved that Best Original Screenplay nomination. Some of the comedy is really far between, and some scenes aren’t as memorable as others, but that’s really its only flaw. I don’t think I’ll rush back to watching it, but I’m glad I did, because it was pretty fun and had some great characters with great layers.
Stars: Colin Farrell, Woody Harrelson, Sam Rockwell
Runtime: 110 min
Tagline: They won’t take any Shih Tzu
Marty (Colin Farrell) is a struggling writer trying to write up a screenplay entitled ‘Seven Psychopaths’. He doesn’t really know how to start it out, and is struggling to find inspiration. His friend Billy (Sam Rockwell) tries to offer him some inspiration, despite constantly accusing him of being an alcoholic. Marty soon becomes entangled in the Los Angeles criminal underworld, much to his dislike, after his oddball friends kidnap a gangster’s (Woody Harrelson) prized Shih Tzu.
The screenplay is smart and fun.
The plot is great and the film is just a fun experience. The pacing can feel a little off, and the plot can get quite ridiculous, but that’s what makes it fun.
If there’s any message I would have taken from this is that McDonagh makes great and original films, and his humour can sometimes be similar to that of Quentin Tarantino. The film is fun and can get a little crazy, but who could have thought up a plot so ridiculous? There is a lot of humour found in the most intense of situations, and I love that.
One of the funniest things about this film is all this carnage was started over a little Shih Tzu. Nope, not a wife, not a bunch of stolen cocaine, not the kidnapping of a best friend (even though a dog can be a man’s best friend) or anything like that – but a freaking Shih Tzu dog named Bonnie.
I love the characters. Even Harrelson, who is the main antagonist, is a great character. Who thought psychopaths can absolutely be this lovable and hysterical? My favourite character would be a hard answer to give. The female psychopaths (played by Abbie Cornish and Olga Kurylenko) would be out first, because they hardly have a lot of lines of dialogue at all. Tom Waits’ character of Zachariah is hysterical. Of the main protagonists, Billy (Sam Rockwell) would be the funniest, and then Hans (Christopher Walken). Generally, Charlie (Woody Harrelson) is my favourite, because he is just hysterical. Each character is well-developed.
For those of you who may have seen McDonagh’s In Bruges, will be familiar with his certain sense of humour, and you may also know that his films have the tendency to get extremely gruesome. There is gore left right and centre in this film, but for anybody who likes that sort of stuff – will be probably love this.
The film offers a laugh at least every two minutes, and its spikes of crime and violence are great. Some of the time there are flashbacks and stuff which are good, and there are also movie-within-a-movie subplots which are effective. The moods set for this film is great, and all the subplots and general plot are extremely clever.
Seven Psychopaths stars Colin Farrell, Christopher Walken, Sam Rockwell, Woody Harrelson, Olga Kurylenko, Tom Waits, Abbie Cornish and Zeljko Ivanek.
Seven Psychopaths is a clever screenplay that can have some poor pacing, and offers a fairly simple, ridiculous, yet clever plot; but, it is another winner from writer/directer Martin McDonagh. It can be equal parts brutal, clever and hysterical. It is most of all extremely memorable, has great characters and a very good cast. Each cast member portrays their characters well. This is yet another 2012 film (I’m talking about Ted or 21 Jump Street, not Project X) that proves that this is a year to beat for comedies. and this may just have to get an Oscar nomination for Best Original Screenplay.
Tagline: The movie was fake. The mission was real.
Argo is one of the best films of 2012.
Argo tells the story of the Iranian revolution, and hostage situations that were involved with it. On November 4, 1979, the Iranian revolution reached its boiling point, the U.S. Embassy in Tehran was stormed by militants, and Americans were taken hostage. During this revolution, six American citizens manage to escape and find refuge in the home of the Canadian ambassador. It was only a matter of time before the citizens’ cover was blown, or they were rescued. A CIA (Central Intelligence Agency) specialist, Tony Mendez (Ben Affleck), concocted the best bad idea the CIA had to rescue the citizens, and get them out of the country with their lives.
This was a covert operation that wasn’t known to the public eye until the 1990s. The story is amazing, and extremely memorable. This story was back in 1979 and 1980, so it definitely makes for an early 80s atmosphere. It’s nice that this revolution gets revisited, it brings knowledge of something that happened a fairly long time ago. The impact it had on the world at the time seems large, but, apparently, not large enough for me to hear of it in this day and age.
It’s sort of fascinating how Affleck made it feel more like the 80s, and he did it in quite the innovative way: according to IMDb, he shot it on regular film, cut the frames in half and blew those images up to 200% to increase their graininess. The viewer can also tell that they’re in for an older styled atmosphere because of the old Warner Bros logo which was to match the time of the 80s.
Ben Affleck’s pure Hollywood acting career may be dust in the wind (or at least starting to feel a bit like that) but his directing career isn’t going South anytime soon. He has a real knack for making great and memorable films.
It’s an extremely thrilling and captivating film experience, and is the most riveting film of 2012 thus far.
There are history and politics thrown in here, but politics only crossed my mind a few times. It feels more like a great CIA rescue mission more than anything else. It’s intense and there’s some great comedy thrown in there. There’s one great joke that gets used a few times, but doesn’t get overused because it’s thrown at you at times you least expect it.
The rescue mission is a great gamble, because Affleck’s character is both risking his life and theirs.
The characters are fine, because they are real and none feel expendable at all. Affleck’s character has a son and a wife; and some of the Americans stuck at the Canadian Ambassador’s house are married. Each actor and actress wonderfully capture emotions of stress, anxiety and intense worry.
One of the most captivating things about Argo is the boiling suspense of the situation, and the viewer can just feel it build throughout. It also really is quite nerve-racking.The pacing is great, and it doesn’t feel slow in a lot of places. There are a lot of memorable scenes, and then others just build up the plot. There aren’t any bad scenes, though, so that’s great. Argo sort of plays out like an assassin giving you his first choke-hold, he’s inexperienced and you may feel the grip loosening from time to time, but then it strengthens again and doesn’t let go until the very end.
Something that annoyed me is the odd time when there wasn’t any subtitles when the Iranians spoke their language (Farsi, maybe?). Still, you can tell the emotions that they are feeling, so I guess it doesn’t matter very much, now that I think it over more.
The use of old footage really interested me some. It worked into the film well and didn’t feel out of place at all.
The film does live up to its hype, and to its trailer. The use of Aerosmith’s song Dream On, was extremely effective and amped it up about ten times as much. I wish they didn’t use some of the film’s best lines in the trailer. Yet again, studios do that a lot. They still were great when I heard them during the film though.
Ben Affleck, Bryan Cranston, John Goodman, Alan Arkin, Victor Garber, Tate Donovan, Clea DuVall, Scoot McNairy, Rory Cochrane, Christopher Denham, Kerry Bishé, Kyle Chandler, Chris Messina, Zeljko Ivanek and Titus Welliver make up this great cast.
Argo offers an incredible true story, a lot of fine action, and a lot of great suspenseful scenes. It’s one of the most riveting films of 2012, and definitely the most intense. The direction, acting, story, the amount of memorable scenes are all great. It’s such an impressive piece of cinema, and will be a real contender at the Oscars this year.