Warm Bodies opened to a great $20.3 million on the Superbowl weekend, and it’s also a really good film. Stand Up Guys opened to $1.5 million at 659 theaters, which is pretty decent. However, Sly proves that this is not a good year for solo outings for The Expendables co-stars. Arnie’s vehicle, The Last Stand, only grossed $6.2 million in its opening weekend; and Jason Statham’s vehicle, Parker, only grossed $7 million in its opening weekend. Click the title for my review.
2012 saw some great films, and some real stinkers. I have seen 68 of them. These are my top 25 favourite films of 2012, and also the ten worst.
Oh and, some of these films don’t have the highest scores, but they’re higher up on the list. This is because some films (like The Hobbit) have grown on me a lot since I’ve seen them. Click on the title in the caption to get to review (and the titles in the ‘worst of’ list). Anyway, here’s the list, starting with #25:
Pitch Perfect is a fairly original (at least in cinema) and entertaining Glee-inspired musical comedy that may be predictable, but it’s a toe-tapping experience that has a fine plot, great music, some strange characters (most notably Lilly, a character who looks like that creepy big-eyed girl from Frankenweenie), show-stealing performers (like Bridesmaids‘ Rebel Wilson who portrays Fat Amy) and a memorable ensemble cast.
This is 40 is not quite as good as Knocked Up, but it’s a satisfying sort-of sequel. This is sometimes over-dramatic because of the numerous conflicts, but it is driven by fresh, laugh-out-loud comedy that helps Apatow get the message, of overcoming family differences and a mid-life crisis, across very well. Laughs, conflict, and advertisements for iPhones, Apple products, TV’s Lost, and a good role for Megan Fox are all present.
Ted‘s screenplay may be crowded but we must understand that MacFarlane’s comfort zone is a mere 22-minute slot, while this is a whole 112-minute feature. The end product turns out to be better than anyone would think a buddy comedy between a talking teddy bear and an immature man could be, and Wahlberg and Ted’s chemistry help make this one of the best buddy comedies of the year. I’m excited to see what else first-time director MacFarlane has in store for the silver screen, and I say bring on the sequel.
The film starts out fairly slow, but once the games come around the bend, it instantly becomes intensely engaging and entertaining. The screenplay maintains the fascinating theme of propaganda [and how corrupt the government may become], but doesn’t capture the extreme violence that we fans handled in the novel itself, and there isn’t quite enough bonding time with select characters. The adaptation is nonetheless great, and since it was not followed to a tee, there is room for surprise. Anyone who is willing to accept this fresh experience will enjoy it, as it is a promising beginning to a new teen franchise.
Rise of the Guardians is a slightly flawed, but wildly inventive, animated adventure that may have some deeply thematic material and action sequences that could be midly scary for small children. The main flaw is the disorganized beginning – but it finds its pace soon enough. The concept is a sort of edgy animated feature, but is a great end product. This is one of the most original animated features of the year, mainly because of the alterations to the beloved Guardians, like making Santa Claus look like a Russian biker, are very fresh. This is a great message to teach the kids this holiday season – don’t only believe in Santa around his season, also believe in all the other heroes, at least when their time comes around the bend.
The dialogue of this film allows characters to be thoroughly developed and compelling concepts to arise. When the characters aren’t talking, it gets engaging and thoroughly thrilling. The anti-climactic ending says Carnahan has learned to resist throwing full-throttle action at us, and he instead resists the urge and keeps the astounding and exciting survival film as tame as could be. The mostly unknown actors make the spotlight shine directly on the star: Liam Neeson.
Spielberg seems like, at this point in his career, is interested in making ambitious biopics instead of blockbusters like Jaws. The intelligent monologue-filled feature intricately throws information at you, and at times it can be quite a bit to absorb, but it is usually engaging. The cast of Lincoln is impressive, most notably Daniel Day-Lewis, who delivers a kind-hearted, endlessly charming performance that adds layers to one of the greatest figures in American history. Day-Lewis captures Lincoln’s will to get things done, and his genuine and kind self.
Killing Them Softly is a clever mafia tale of violence and despair with a great leading performance from Brad Pitt; with his mysterious character delivering us plenty of violence to keep us happy. This tale is also a social commentary on the local criminal economy in 2008, before Obama stepped into office – the concepts are complex, but there are not difficult to comprehend. The not-so-subtle message may be annoying to some, but the story is very engaging. It is a thought-provoking film brought to life by Andrew Dominik’s stylish and artistic direction.
The abrupt ending keeps this from being flawless, but this is a stellar crime story with intelligent writing by writer/director David Ayer (who previously wrote Training Day) with some of the best chemistry I have seen all year. End of Watch does for the real lives of cops what Ladder 49 did for fire fighters, but it’s about twenty-six times better.
Chronicle is one of the most surprisingly amazing features of 2012. The rushed pace is its main flaw, but it is an awesome experience for the 84 minutes it stays around. It obtains must-see status because of its thoroughly thematic and disturbing content. It is the most must-see found-footage feature of 2012, perhaps of all-time.
Seven Psychopaths has a clever screenplay and is a fantastic second feature from writer/directer Martin McDonagh. It is equal parts brutal, brilliant and hysterical. It is extremely memorable and has great characters and a superb ensemble cast. It is one of the most original screenplays of the year, and it’s another comedy that proves 2012 is one of the best for that genre.
The story may have ideas crammed in the feature, it undeniably has a very emotional core. If the actors weren’t singing the vast majority of their dialogue, the film wouldn’t be quite as exciting or engaging. This combines a great period piece with a profound musical, and it makes this one of the best features of the year.
Jonah Hill and Channing Tatum create a superb chemistry, and this is one of the finest comedy ensembles of the year. The comedy is always funny, and this is the best action-comedy of the year. The real bite about this is that no one expected it to be very good, and yet, it is a hilarious and exciting ride.
Writer/director Christopher Nolan delivers us an impressive and atmospheric piece of cinema that has incredible thrills, great plot execution and great direction, character development that has room for improvement and a slow build-up that leads to an incredible climax. It is also a thoroughly impressive end to a great trilogy, it’s a slight step-down from the high standards set by The Dark Knight, but it is better than Batman Begins.
Skyfall is a compelling experience with great pacing, a great story and great humour. Javier Bardem is simply astounding. His presence is really worth the wait. He is one of the greatest criminal masterminds of recent memory, comparable to both Heath Ledger’s The Joker and Anthony Hopkins’ Hannibal Lecter. He is the second best villain of the year, right behind Leonardo DiCaprio’s Calvin Candie in Django Unchained.
Looper offers an entertaining and memorable action experience with a great story and characters, making it a film that should be cherished. Looper is slightly flawed because of a sometimes crowded screenplay and numerous antagonists, but it has a complex story that’s surprisingly easy to follow, with great characters like Jeff Daniels’ nice-guy-ruthless-when-he-wants-to-be crime boss.
The Hobbit: An Unexpected Journey is a thoroughly satisfying start to a new Middle Earth trilogy. Its usually silly undertone may frustrate some, but to most, like myself, it makes for a great experience. The many expendable dwarfs may get a lot of the attention, but it is very much Bilbo Baggins’ show. That is until the show-stealing Gollum shows up for one of the best scenes of the feature. I cannot wait to see what the trilogy looks like when all of the films are released.
Life of Pi is interesting because it is not afraid to bring in concepts of faith and religion. It is also visually beautiful, sometimes funny, thought-provoking, magnificent, terrifying and saddening. There is also a great story, great direction, wonderful cinematography, great conflicts and relationships present. The actors bring it all to the table, and a short list of performers carries the film very well. This is one of the best films of the year that will be a large Oscar contender. If you’re going to see this, see it in its full 3D glory.
The drama is solid and the overall film if profoundly enjoyable, compelling, emotional, sometimes funny and often gripping. The suspenseful scene at the beginning is the only action scene in the feature, and it soon turns into a character study, with fascinating concepts of addiction. Those who find the concept of addiction fascinating will enjoy this even more.
Many may think it is simply just another teen slasher, but what gets thrown at you is surprising, extremely fresh and endlessly entertaining. This is one of the most original horror films of all time, with signature bites of comedy from Joss Whedon.
Wreck-It Ralph is the finest animated feature of 2012 and is generally one hell of a nostalgic and enjoyable film. This is like the Toy Story for a new generation. Disney has delivered us a great film yet again, and mashed two generally loved things together: their acclaimed animation, and video games. I had high expectations for this film, and this really rocked my world.
One of the most captivating things about the nerve-racking Argo is the boiling suspense of the situation, and the viewer can just feel it build throughout. Argo plays out like an assassin giving you his first choke-hold, he’s inexperienced and you may feel the grip loosening from time to time, but then it strengthens again and doesn’t let go until the very end.
Silver Linings Playbook is hilarious, beautiful, meaningful, sad, emotional, and very dramatic at times. It is a truly magnificent blend. One thing that helps the film is the impeccable writing by David O. Russell, and Matthew Quick who originally wrote the novel. The viewer may not be able to relate to the exact situation of these characters, but they could fully understand their motivations – and most may have felt similar emotions that these characters express on a daily basis.
The profound analysis of teenage angst is accurate, brilliantly touching, and heartbreakingly poignant. The performances are great, the story is awesome, and the atmosphere it offers is perfect. This is a film that I’d like to watch over and over. That’s one heck of a definition for an enjoyable experience. It’s a fine, under-seen classic of 2012 that can define a generation as well as John Hughes could. If it comes to your town, get off the couch, grab a few friends – but if you don’t have any, it’s okay to be a wallflower – and go see this movie!
Django Unchained is a modern masterpiece, and is Tarantino’s finest film yet (even if I’m the only one to think so). It’s a great story about survival and it has great themes of racism and slavery, that Tarantino explores expertly. The performances, the writing, the soundtrack the direction and the themes are all immaculate. Leonardo DiCaprio plays the best villain of the year.
Plot: A young woman travels to Texas to collect an inheritance; little does she know that an encounter with a chainsaw-wielding killer is part of the reward.
The world has seen many films revolving around the the Sawyer family legacy. This is the first wide release for Leatherface in quite some time, so horror fans will most likely be lining up to see this. I’ll be seeing it this weekend if I have time (The Impossible and Promised Land are higher priority for me).
Plot: A curious Hobbit, Bilbo Baggins, journeys to the Lonely Mountain with a vigorous group of Dwarves to reclaim a treasure stolen from them by the dragon Smaug.
This trip back to Middle Earth has been anticipated by many all year. It is the most anticipated prequel since The Phantom Menace, so hopefully it doesn’t disappoint people as much as that did.
T.H.: A.U.J. Prediction: $97, 500, 000
Save the Date
Plot:Sarah begins to confront her shortcomings after she rejects her boyfriend’s hasty proposal and soon finds herself in a rebound romance. Meanwhile, her sister Beth is immersed in the details of her wedding.
It’s just a new indie romantic comedy with the sexy Alison Brie and Lizzy Caplan.
S.t.D Prediction: $62, 000
Top 10 Box Office Predictions
TITLE/PREDICTION/STUDIO/ROTTEN TOMATOES SCORE
1.The Hobbit: An Unexpected Journey/ $97, 500, 000/ Warner Bros./ 69% 2. Skyfall/ $8, 750, 000/ MGM/ 92% 3. Rise of the Guardians/ $8, 400, 000/ Paramount/DreamWorks/ 73% 4. The Twilight Saga: Breaking Dawn Part 2/ $7, 600, 000/ Summit Ent./ 47% 5. Lincoln/ $7, 250, 000/ Buena Vista/ 91% 6. Life of Pi/ $6, 800, 000/ Fox/ 88% 7. Playing for Keeps/ $4, 600, 000/ FilmDistrict/ 3% 8. Wreck-It Ralph/ $4, 000, 000/ Buena Vista/ 87% 9.Red Dawn/ $3, 250, 000/ FilmDistrict/ 11% 10. Flight/ $2, 500, 000/ Paramount/ 77%
The sequel to 2009’s The Collector. This sort of has a similar atmosphere to the Saw serial, without all the moral dilemmas, and just more torture porn. The Collector opened to $3.5 million, and grossed $7.7 million. That was well-appreciated by audience members, so I anticipate this to gross more than the first. People seem to really miss the Saw franchise, and this could really fill that void.
T.C. Box Office Prediction: $5 million
This looks really good. The story seems awesome and the cast is stellar. Brad Pitt as a hitman? Cool.
Stars: Daniel Day-Lewis, Sally Field, David Strathairn
Runtime: 149 min
Lincoln is a film that is much easier to respect or admire, than it is to enjoy and be thoroughly entertained. While it does have sparks of humour here and there, it goes more for fascination than anything else. Speaking of the humour, it is quite impressive that the writers threw that in because of the serious subject matter. Lincoln follows Abraham Lincoln’s endeavours, during the American Civil War, to pass a constitutional Amendment to free the slaves. The performance by the great Daniel Day-Lewis adds layers to Lincoln. His reserved and kind voice makes him seem quite real – and he is. The relationships he has with everyone are all very kind, and he even treats his enemies with respect. He’s the sort of guy one would want as a neighbour, or maybe even the president of the United States of America. Oh wait, he was.
The cast is great (especially Day-Lewis, Fields, Tommy Lee Jones and Joseph Gordon-Levitt), the cinematography is great, just about everything that is done here is impressive. Steven Spielberg feels like a director, at this time that is not interested in directing blockbusters like Jaws or Jurassic Park, but ambitious biographies like this. With past works like War Horse, Schindler’s List, or Munich, it is evident that he [Spielberg] possesses a flaring interest for history. Though, those audience members who don’t share at least a small interest for history, may not like this all that much. It is impressive, but at times it is difficult to grasp the events that are unfolding. In that way, it’s a film better watched in a home setting – so one could pause the film after most scenes, and absorb and make sure they can comprehend the information that was just told to them. Monologue after intelligent monologue just gets packed on, and sometimes they can be hard to follow. There’s a bunch of movie buffs out there, but there may not be as many history buffs. That’s why this is quite the impressive achievement that shall be an Oscar front-runner, but it simply may not be the right choice for a casual moviegoer. Make sure your mind is fresh before you see it, and be open to having two and a half hours of information intricately thrown your way.
Skyfall raked in a majority of the dough this weekend, with $90 million (including Thursday’s earnings)! It so deserved it, too, because it’s just about one of the finest action films of the year, and it is generally one of the best of the year as well! And Lincoln took in an impressive $900, 000 at eleven theatres this weekend. Also, at least surprising to me, Pitch Perfect sneaked into the Top 10 this weekend at #8, but that’s pretty sweet for it! Well, now to the numbers!
And, if you missed any of my reviews of the movies in the Top 10 Box Office, just click the link on the title and it will lead you right to it!
I’ve been putting these reviews at the bottom of my results article because I’m trying to get a little bit more traffic for them (in case you readers missed the reviews). And I, just now, realized by revealing the scores, it isn’t any good at getting more traffic. Who wants to read a review when they already know the score I gave it? I don’t think I’d do very well working in advertising…
I like the look of this poster. Simple, but effective. The ‘A STEVEN SPIELBERG Film’ (which is barely eligible here), and the credit for Daniel Day-Lewis should bring in quite the crowd.
I’ve read about the film before, but was just reminded of it now. It’s a film that I’ll wait to get when it gets released as home media, but it does seem like an interesting flick.
It’s about how Abraham Lincoln (evidently), the sixteenth President of the United States, guided the North to victory during the Civil War. It gets released on November 16, 2012. It seems like a really interesting biopic, and Day-Lewis seems like he’d be great in this role.
The film also stars Tommy Lee Jones, Joseph Gordon-Levitt, Jackie Earle Haley (who played Freddy Krueger in that awful Nightmare remake), David Strathairn, Sally Field and James Spader, to name a few. Pretty stellar cast I’d say.
I’m also quite excited to see what Spielberg will bring to the project; he’s such a great director.