The two new movies coming to theaters this weekend is Seth Gordon’s Identity Thief, starring Melissa McCarthy as the woman who steals the identity of Sandy Patterson, played by Jason Bateman. He is playing the straight man, and it’s a role he plays very well in the comedy genre. It will definitely get over $20 million this weekend because it has no competition in the comedy genre yet this year (Movie 43 seems to be rushing out of theaters) and it could turn out to be the first good comedy of the year. However, the Rotten Tomatoes critics’ appreciation of the film may state otherwise (as of now, 24% of critics have liked it). Melissa McCarthy is very popular, it has a solid premise, and it could turn out to be surprisingly good. I hope. I also really hope they didn’t show all the funny scenes in its trailers. It really was a large marketing campaign.
Side Effects is a little more on the down-low. I have seen many TV spot trailers but I can’t recall seeing the trailer at the movie theaters. It is being advertised as a star-studded clinical thriller from the creator of Contagion. The story goes like this: Emily and Martin are a successful New York couple whose world unravels when a new drug prescribed by Emily’s psychiatrist – intended to treat anxiety – has unexpected side effects.
It really does sound intriguing, and Soderbergh rarely brings a stinker (even though I didn’t enjoy Michael Clayton). I have expectations for this one, and I think it will gross at least $10 million this weekend. Also, part of the attraction is the cast that includes Jude Law, Rooney Mara, Channing Tatum and Catherine Zeta-Jones.
Warm Bodies opened to a great $20.3 million on the Superbowl weekend, and it’s also a really good film. Stand Up Guys opened to $1.5 million at 659 theaters, which is pretty decent. However, Sly proves that this is not a good year for solo outings for The Expendables co-stars. Arnie’s vehicle, The Last Stand, only grossed $6.2 million in its opening weekend; and Jason Statham’s vehicle, Parker, only grossed $7 million in its opening weekend. Click the title for my review.
This weekend, there are three new releases coming along: the zombie-love story, Warm Bodies; Stallone’s new vehicle, Bullet to the Head; and a limited release of Stand Up Guys, where Alan Arkin, Al Pacino and Christopher Walken team up for a crime comedy.
Sylvester Stallone is breaking off from his The Expendables series for a solo outing with Bullet to the Head. Here, Stallone plays a hit man situated in New Orleans. The story follows Stallone and a Washington D.C. detective who see their respective partners die, and they then form an alliance in order to bring down their common enemy. Stallone is a fairly popular action hero whose popularity has grown with his start of a new ensemble action series, The Expendables. Stallone’s average opening weekend earning is $13.079 million, with The Expendables being his best number with $34. 825 million. Bullet to the Head probably won’t meet his average earning, but his new vehicle will draw a nice crowd for those who need their Sly fix.
Al Pacino, Christopher Walken and Alan Arkin team up for a buddy crime comedy, Stand Up Guys. The film follows Val (Pacino) who has just been released from prison, as he and his buddy Doc (Walken) try to get the old gang back together for one last hurrah, before one of the guys takes his last assingment — to kill his comrade. It’s really all a great formula for a potentially great action comedy.
But the real winner of the weekend will be Warm Bodies, a new comedy horror that might be considered Twilight with zombies, but I truly hope, nor think, this is the case. This feature feels like it really might reinvent the genre, and do it successfully. This film follows R (Nicholas Hoult), a highly unusual zombie who saves a human, Julie (Teresa Palmer), from an attack. Their growing bond may just change the lifeless world altogether. You’ve seen the whole odd relationship before: an average girl and a boy of the supernatural kind. But this is different. This is set in a post-apocalyptic world where zombies are the norm, and humans are odd. Another interesting concept is this flick is actually suggesting the main girl is hot enough to reanimate a whole lifeless world, and make the zombies real again. Sure, Palmer’s hot, but she’s no Megan Fox. She’ll have to do. This makes the film have an original concept, and from the trailer, the humour looks like the strange, awkward brand of comedy that I love. This flick will also attract fans of the novel, as well as those who are interested in this awesome feature, like myself. This zombie feature looks cool, smart, and original. One thing that could make this film a certified sleeper hit is expert writing and direction from writer/director Jonathan Levine (50/50). I’ll appreciate this as long as there aren’t any love triangles…
Here’s how I see the Top 10: 1.Warm Bodies/$18, 700, 000
2. Hansel & Gretel: Witch Hunters/ $12, 400, 000 3.Bullet to the Head/ $9, 200, 000
4. Silver Linings Playbook/ $7, 650, 000
5. Mama/ $5, 620, 000
6. Zero Dark Thirty/ $5, 530, 000
7. Parker/ $4, 065, 000
8. Django Unchained/ $2, 920, 000 9.Stand Up Guys/ $2, 000, 000
10. Movie 43/ $1, 970, 000
Hansel and Gretel: Witch Hunters came out on top with $19.69 million, and Mama drops 53.9% to $13.088 million this weekend. Parker made $7 million, while Movie 43 proves to be the worst reviewed film of the year so far, and the largest box office bomb with a measly $4.8 million.
Click the title for my review.
Top 10 Box Office, The Results (Estimates)
My Prediction/Off by (+/–)
1. Hansel and Gretel: Witch Hunters: $19, 690, 956
There are three releases coming out this weekend: an action-comedy cross-over, Hansel & Gretel: Witch Hunters; a crude comedy, Movie 43 and; a new Statham vehicle, Parker.
The most intriguing, to me, is Hansel and Gretel. I love a good twist on a classic tale, and Will Ferrell and Adam McKay on as producers catches my attention even more. The story follows the titular pair of the classic fairy tale, but this time they’re bounty hunters who hunt witches all over the world. They are also now facing a new form of evil.
One of the most recent classic twists on a fairy tale, Red Riding Hood, made $14 million in its opening weekend. Though, this one is in 3D and it has the popularity of Jeremy Renner going for it. I also hope it’ll be a bigger hit than R.R.H. I think this will gross $19 million this weekend.
Movie 43 seems like a new New Year’s Eve for the crude comedy genre, and for the modern internet age. The story: A series of interconnected short films follows three kids as they search the depths of the Internet to find the world’s most banned movie. It has a bunch of different directors and practically everyone in it, so it has that going for it… It also looks incredibly stupid. New Year’s Eve grossed $13 million in its opening weekend, and Valentine’s Day grossed $56.26 million in its opening weekend, but I highly doubt this will get an opening weekend return anywhere near Valentine’s number. I think it will gross a little less than New Year’s Eve number. With better execution than 2012’s V/H/S (a film that also used short films as a major contribution), this could turn out to be a hit. This will still earn a nice profit in its opening weekend because of its solid marketing campaign and buzz on thee ole Twitter-sphere. I think this will gross $12.5 million this weekend.
Statham’s most recent action vehicle, Parker, teams him up with Jennifer Lopez. The story: A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew’s latest heist. For 2013, the gross for the one action flick with a primary action hero isn’t too promising (Arnie’s The Last Stand, grossing $6.28 in its opening weekend). Statham has an average opening weekend gross of $12.19 million. Whilst that’s more than decent, my interest for Statham has been wavering as of late. His last two leading man action flicks haven’t produced great returns – Killer Elite: total gross of $25 million (with $9.35 in its opening weekend) and; Safe: total gross of $17.14 million (with $7.89 in its opening weekend). This time, though, he’s being paired with Jennifer Lopez, and the film could be a winner. We’ll see what happens, but I think it’ll make $9.4 million this weekend.
Here’s how I see the top 10:
1. Hansel & Gretel: Witch Hunters/ $19, 000, 000/ Paramount 2. Mama/ $16, 900, 000/ Universal 3. Movie 43/ $12, 500, 000/ Relativity 4. Zero Dark Thirty/ $9, 500, 000/ Sony 5. Parker/ $9, 400, 000/ FilmDistrict 6. Silver Linings Playbook/ $7, 300, 000/ Weinstein Company 7. Django Unchained/ $5, 000, 000/ Weinstein Company 8. Les Misérables/ $4, 800, 000/ Universal 9. Broken City/ $4, 300, 000/ Fox 10. Gangster Squad/ $4, 000, 000/ Warner Bros.
Did you know?“00 dark 30” in military terms means an unspecified time in the early morning hours usually when it is still dark outside, usually said as “oh dark thirty” (according to its IMDb trivia page).
Zero Dark Thirty
Release Date: January 13, 2012 (wide release)
Director: Kathryn Bigelow
Stars: Jessica Chastain, Joel Edgerton, Kyle Chandler
Runtime: 157 min
Tagline: The greatest manhunt in history
With Zero Dark Thirty, Kathryn Bigelow proves she is one of the best directors in the business. She is especially one of the best directors to direct a war or history drama.
Zero Dark Thirty is a chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L. Team 6 in May 2011.
The only main character, Maya (Jessica Chastain), is followed the closest during this film. The beautiful and talented Chastain does an astounding job of portraying her. She really captures the real feelings she would be feeling. The character is a highly ambitious character whose motivations get fueled by deaths of her friends over the years. As they go through a series of leads, they get to Abu Ahmed, said to be Osama’s messenger. While Maya is the main, and practically only (for the most part), protagonist, Osama is most obviously the antagonist, no matter how hidden he may be.
This film depicts the manhunt for bin Laden extremely well. While we, the audience, don’t know what exactly happened, this film gives us a general idea. And boy, is it ever usually enthralling. Especially the last hour, and it makes for one of the best sixty minutes of cinema this year. The first 97 minutes of the feature is a solid introduction of what’s to come. While it may not be entertaining, it is fascinating and I was compelled to listen to what the flick had to say.
This feature is mostly controversial for its disturbing yet oddly compelling and inarguably intense torture scenes. Bigelow’s intention wasn’t to be an advocate for torture, and she isn’t. It is simply an aspect that did happen in the hunt for Osama. Would you give up Osama’s location that easily, if they knew very well who are? A monster that ordered the 9/11 attacks? No, because he is a powerful man whose people will find and kill you. It’s a frightening thing, and one couldn’t necessarily give up that easily. They have to be tortured, no matter how bad that sounds – it’s the honest, unfortunate truth.
The controversy is embedded in the film, but this gripping feature’s purpose is to rouse the spirits of patriots everywhere. Even if you are not American, the 9/11 attacks shook the world, and this is simply a story everyone would enjoy watching unfold. No matter how sensitive the case of something like 9/11, this is an important film depicting, yes, the greatest manhunt in history. While this may not be as magnificent as The Hurt Locker, this is nonetheless a very unique and memorable experience.
In a nutshell: Zero Dark Thirty is an extremely important film that depicts the greatest manhunt ever executed. It also shows us that Osama really isn’t the ultimate winner at Hide’n Go Seek, that’s Waldo. This feature is controversial because of its disturbing torture sequences, but it is necessary to be included in a film such as this. Bigelow’s direction, Mark Boal’s expert writing, its gripping story, its astounding final sixty minutes, and Jessica Chastain’s incredible portrayal of Maya, make it one of the best history dramas of 2012. You did it again Bigelow, I can’t wait to see what you give us next.
The first weekend of 2013 had surprising earnings with Texas Chainsaw 3D, but great nonetheless. It won’t hold the top spot a second time, I think that’ll go to Zero Dark Thirty. Here are the new releases for the weekend:
Plot: Malcolm and Keisha move into their dream home, but soon learn a demon also resides there. When Kisha becomes possessed, Malcolm – determined to keep his sex life on track – turns to a priest, a psychic, and a team of ghost-busters for help.
Marlon Wayans brings us a feature that parodies popular horror films months before Scary Movie 5, a series he and his brother started. I’m not sure if Wayans is attempting to reinvent the parody genre, but if anyone can do it, it might just be him. Even though I laughed once at the trailer. It won’t be as big a hit as Scary Movie, but it’ll certainly be better than anything those idiots Jason Friedberg and Aaron Seltzer (Disaster Movie, Meet the Spartans) can dish out to the unsuspecting public. The opening weekends of the Scary Movie have faced a range between $20.5 million (with the second installment) and $48.1 million (with the third installment). And the Friedberg/Seltzer films’ opening weekend range from $5.8 million (Disaster Movie) to $18.6 million (Epic Movie). Anyway, I think A Haunted House will gross higher than Disaster Movie, but lower than Epic Movie. It’ll be somewhere in the middle.
A.H.H. Box Office Prediction: $10, 500, 000
Plot: A chronicle of the LAPD’s fight to keep East Coast Mafia types out of Los Angeles in the 1940s and 50s.
The real attraction of Gangster Squad is its true crime story vibe and its ensemble cast (including Ryan Gosling, Josh Brolin, Emma Stone, Sean Penn). It will also be interesting to see comedy director Ruben Fleischer (30 Minutes or Less and Zombieland) direct this cast, and what he’d do with this 1949 crime drama. A similar film to this, American Gangster, grossed $43.5 million its opening weekend and the other crime drama in theaters right now, Jack Reacher, grossed $15.2 million its opening weekend. I don’t think it’s very realistic that it would gross close to American Gangster’s number, but it will most likely make more money than Jack Reacher.
G.S. Box Office Prediction: $21, 000, 000
Plot: At a home for retired opera singers, the annual concert to celebrate Verdi’s birthday is disrupted by the arrival of Jean, an eternal diva and the former wife of one of the residents.
The limited release of the weekend, Quartet comes to a mere two theaters. This is Dustin Hoffman’s directorial debut, and it is a comedy that mostly appeals to adults that makes me think of 2011’s Hope Springs and The Best Exotic Marigold Hotel.
Quartet Box Office Prediction: $16, 000
Plot: A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L. Team 6 in May, 2011.
It sure is the greatest manhunt in history. Zero Dark Thirty also seems like an incredible film to watch unfold. Kathryn Bigelow is the director to take on this project. It’s already made $4.6 million, and now it’s going wide. Right after the Oscar nominations are being released tomorrow. The Hurt Locker grossed $17 million, but it wasn’t a very wide release. This is going to gross more in its (wide) opening weekend than T.H.L. grossed in its entire run.
Z.D.T. Box Office Prediction: $23, 500, 000
The holdovers of Django Unchained and Les Mis shouldn’t drop severely because of the Oscar nominations tomorrow. Here’s how I see the top 10: