Directed by: Martin Scorsese. Starring: Robert De Niro, Al Pacino, Joe Pesci. Runtime: 3h 29 min. Released: November 27, 2019.
Martin Scorsese brings an all-star cast of Robert De Niro, Al Pacino and Joe Pesci to the little screen in Netflix’s The Irishman, a mafia movie that follows Frank Sheeran (De Niro), a mafia hitman who recalls his career and his involvement in the disappearance of Jimmy Hoffa (Pacino).
The good in The Irishman are in its performances. De Niro is threatening and such a presence as Sheeran. Pacino plays a great union leader in Hoffa, and he gets most of the angry explosions that Joe Pesci has become known for. Pacino’s also perfect at convincing certain people that he’s nice, as well. Pesci plays Russell Bufalino, the head of the Buffalino crime family. He’s threatening and powerful but stays calm and collected throughout the film, and he’s more threatening for it.
The most interesting part about this for me is Frank’s relationship with his daughter Peggy (played by Anna Paquin when she’s older). Paquin does a great job as the character because while she only has seven words of dialogue, her stares at her father speak a thousand words, and just her general disapproval and suspicion of his involvement in Hoffa’s disappearance. In the scenes when Peggy is a child, we can tell she’s scared of him because of his reputation and just the fact that he curb stomps a dude right in front of her because the man pushed her (De Niro stomping near the guy’s head is the least convincing thing in this film). Frank’s relationship with his daughter was the only time I felt emotionally connected to the film.
That’s not to say that the dialogue is bad or anything, Scorsese writes and directs the film like the master that he is, there just aren’t a lot of moments in this film where I could get emotionally attached to the characters. They’re all criminals, but they’re well-sculpted characters. The mafia action scenes – when Frank would just casually walk up to someone and shoot them in the face – are great. The more complex ones like Frank shooting someone in a restaurant off-screen and then getting into his getaway car is also exciting. The scenes in this film that I loved, I truly loved, as everyone from the starring trio to Ray Romano and Jesse Plemons are well-cast and enjoyable to watch.
The film just literally feels like I took all day watching this. I thought there were more than a few boring stretches in this 209-minute film. I don’t have anything against long movies, but this just feels like it drags. I’d be bored, it would hold my attention for 45 minutes, then I’d be bored again. The crime saga admittedly feels aimless at first as Sheeran recaps his career and it only gets fascinating when Jimmy Hoffa comes in but that’s not until 80 minutes into the story. De Niro’s point of view is a good way to get into this story, but I really feel like the first 80 minutes could have been done in half the time and this would me a much better film at 170 minutes.
It spans different decades and when the stars are younger, the film uses de-aging technology. It’s distracting at first as De Niro’s blue eyes are distracting and Pesci’s head looks too big for his body, and they still walk like old men. As it jumps around through its timeline, it becomes more fluid and less noticeable. That also could be just because it’s three and a half hours and you might forget they’re using de-aging technology. I think The Irishman is a good movie, just not one I’d ever be interested in watching again.