29 Days of Romance, Review #28: Carol (2015)

29 Days of Romance, Review #28: Carol (2015)

Carol posterDirected by: Todd Haynes. Starring: Cate Blanchett, Rooney Mara, Sarah Paulson. Runtime: 1h 58 min. Released: November 20, 2015.

I didn’t fall for Carol as many others have. 30 minutes into the film, I decided to check the Metacritic score because I know whenever I don’t like something that’s great, it at least has an 80 on Metacritic (like 127 Hours which has an 82, or Gravity which has a 96). Carol has a 94 on Metacritic! 24 of the 45 critics gave it a perfect score. I just didn’t see what they saw.

The story is about Therese Belivet (Rooney Mara), an aspiring photographer who falls for a married woman, Carol Aird (Cate Blanchett).

The film is set in 1950’s New York and I’ll start there. On Edward Lachman’s 16mm cinematography, this New York is gorgeous and elegant, and we’re transported there convincingly with the help of Todd Haynes’ direction, Sandy Powell’s costume design and Carter Burwell’s score. I can really tell this is immaculately well-made and gorgeous to look at, I just didn’t connect with the characters that much. I love romance but the first half felt hollow to me.

Honestly, it picked up speed when the pair actually take their Christmas road trip to Chicago. The chemistry between Rooney Mara and Cate Blanchett picks up, their intimate looks turned into something deeper, and their first kiss is a marvellous moment that took my breath away.

The film portrays Carol’s relationship with her husband Harge Aird (a strong Kyle Chandler) realistically and it’s heartbreaking how that develops. This source of conflict is well-written. The way the film portrays homosexuality in the 1950s feels raw and in the moments when she’s persecuted for it, Cate Blanchett is at her best. It’s an age where the character couldn’t be herself. Carol says, “What use am I if I’m living against my own grain?” This is the best part of the screenplay for me – which is written by Phyllis Nagy, an adaptation of Patricia Highsmith’s 1952 novel – and the spot where Carol is her most human. Rooney Mara, too, deserves accolades for her quieter, more subtle performance, and her expressions and glances are where she’s strongest.

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Rooney Mara in Carol. (IMDb)

That’s my main issue with Carol, it’s best in subtle moments and I just wanted more than subtlety and more than intimate glances. I did enjoy much of the second half, but the film moves at a snail’s pace. There are phenomenal moments, but I was bored a lot of this. The characters have strong moments, but they’re also dull and I am just bummed I don’t love this. The characters only feel lively when they go to Chicago. I like Sarah Paulson here as Carol’s friend and ex-lover Abby, she’s interesting and felt like a real person before Carol and Therese did.

I do like the aspect of Therese’s photography. The way she captures Carol during Christmas tree shopping is beautiful. It’s intimate and that aspect of her character is cool, and it’s really the only thing I liked here pre-road trip. Inspiring her photography is Dannie McElroy (John Magaro). The film casts everyone well (kudos Laura Rosenthal), and Magaro always seems at home in period films. The way he talks just feels like he grew up in 1950’s New York.

Jake Lacy has little to do as her boyfriend. He calls her “Terry” and no wonder she falls for Carol because when she says “Therese,” it’s like a knife cutting butter. It sounds right. Therese seems like the type, too, to not tell him that she hates being called Terry, sort-of like how I don’t make a big deal of people calling me Dan instead of Daniel. In that way I related to Therese but never really related enough. I respect the filmmaking here and admire the film. It’s a beautiful love story with a perfect ending. I wish I could fall for it like Carol and Therese fall for each other, but I could not.

Score: 60/100

How to Be Single (2016)

How to Be Single (2016)

 

How to Be Single
Source

Released: February 12, 2016. Directed by: Christian Ditter. Starring: Dakota Johnson, Rebel Wilson, Leslie Mann. Runtime: 1hr 50 min.

Based on Liz Tuccilo’s book of the same name, How to Be Single is a totally mixed bag on tips of living the single life and an occasionally hilarious story.

It concerns Dakota Johnson’s Claire, who right out of college jumped into a relationship with Josh (Nicholas Braun) and being a woman of New York, she wants to try out the single life for a brief spin to know if she truly wants to be with Josh the rest of her life.

When she’s done with her flings with a bartender named Tom (Anders Holm, The Intern), she tries to go back to Josh but he’s found someone else. So now she has to navigate through life with her trusty party hardy sidekick Robin, portrayed by Rebel Wilson, on an adventure in learning that she doesn’t need a man to define who she is as an independent woman.

By no means a terrible film, How to be Single simply suffers from a plaguing lack of comedic momentum, or gaining any, for that matter.

The seriously big laughs only come on occasion without succession, but the sentiment of the picture is still in the right place.

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Rebel Wilson and Dakota Johnson in How to Be Single (Source)

Dakota Johnson is an awkward delight as Alice, where she often charms and rarely bores. Rebel Wilson is a good addition, as well – even though a late storyline feels random. The screenwriters also leave her character out for long periods of time when I was just begging for her comic relief.

A big problem of the film is just how many characters the film thinks it needs to tell its story.

Throughout the film Alice is sexually involved with three men, and we don’t really need that many characters to make her realize she doesn’t need someone to make her happy.

At certain points, when a story-line gets introduced and then continued later, it ends more abruptly than feels at all natural. It just wraps a tiny bow on it and then boom, we’re done with that character.

Alice’s sister, Meg (Leslie Mann) represents the single woman who wants a relationship but is terrified of it. Because… Reasons. She’s a bit frantic and nutty, and forgettable. She seems to be shocked that a young buck, Jake Lacy’s Ken, is attracted to her and she assumes it’s a joke or he just likes the novelty of being with an older woman.

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Rebel Wilson, Leslie Mann and Dakota Johnson in How to Be Single. (Source)

She’s frankly more annoying than anything. Her significant other, in turn, is rendered annoying and expendable by association – but admirable for putting up with her insanity.

Alison Brie also makes a frequent appearance, representing the online dating addict. She doesn’t fit into the narrative quite as smoothly as the others, not sharing any dialogue with the three other primary actresses, but she’s fine for her role.

The plot is muddled because of how many characters there are. The cast is attractive and fine as the characters, but the scope of it makes a simplistic premise into something that is needlessly complex. Because of this, it squanders a lot of potential.

It definitely has the laughs intact because of the original novel’s clever humour, but it should retain the simplicity of something like 2014’s That Awkward Moment, but that one forgot the laughs. At least that film knew not to have a huge character list like Valentine’s Day, and kept it simple, stupid.

Instead, we are left with an occasionally funny, run of the mill comedy that says it’s okay to be single.

It can be the best times of your life. The laughs are all there, but it trips over itself too much in an overlong anti-romantic comedy.

2.5 out of 4