Released: April 7, 2017. Directed by: Zach Braff. Starring: Michael Caine, Morgan Freeman, Alan Arkin. Runtime: 1h 36 min.
Joe (Michael Caine), Willy (Morgan Freeman) and Albert (Alan Arkin) are retired, lifelong friends who are losing their pension after the company they worked for is bought out. To make matters worse, Joe’s in danger of losing his home because of a mortgage payment plan he was sold.
He discusses that with a sleazy banker (John Pais) in the film’s first scene, and it’s saved from being boring thanks to a funny bank robbery.
If Joe loses his home, he, his daughter Rachel (Maria Dizzia) and granddaughter Brooklyn (Joey King) will be homeless within 30 days. He rallies Willy and Albert to rob a bank so he can save his home and stick it to the banks. They figure they’ll take what would have been theirs in pension payment, and at the tail end of their lives – they don’t have much to lose and they’re going out in style.
Surprisingly, Going in Style doesn’t actually have a lot of style. It’s basic filmmaking and the direction’s unremarkable. This is Zach Braff’s third film (at the biggest budget of $25 million), but it doesn’t have the quirkiness of his writing featured in his first two films Garden State and Wish I Was Here. The film’s written by Theodore Melfi (Hidden Figures), based on the 1979 film of the same name. The writing’s formulaic at best.
It’s a predictable caper but it’s so heartfelt and enjoyable. Its heart is always in the right place and it’s a benign tale about loving life and making the best of everything, no matter your age.
It’s also very funny, too, and the cast have great comedic timing and make the best jokes hit their mark. The best part of the film is having Caine, Freeman and Arkin share the screen. Their presence is what makes it special, even this isn’t as good as it should be – like the way that it’s great at the time but it’s forgettable.
Still, they’re so charming and they help make this a good time at the movies. Their chemistry is great, and you can feel like these guys have been friends their entire lives. They’re all mostly the same age, but their development feels diverse, especially in terms of motivation for the robbery.
Joe’s motivation is pure since he’s trying to provide for his family. His friendship with granddaughter Brooklyn (Joey King) is sweet and one of the reasons I was most invested in Joe. Brooklyn’s really the only family of the trio that have a good role – and even Joe’s daughter could be written out entirely since she’s there for two scenes.
Willy’s motivation is so he can have enough money to see his family more than once a year. Albert’s the curmudgeonly guy of the group – suiting his delivery – and he’s content being alone. The bachelor gives into the heist because he’s tired of being broke. He also meets a new lady, Annie, who gives charisma to his development – and she’s played by the delightful Ann-Margret.
Its third act has some clever moments inside and outside of the heist, and the training they get from a criminal insider (John Ortiz) is fun. Though, it could benefit from more action.
It’s understandable that there isn’t since they’re a trio of good guys who don’t want to hurt anyone. It sucks out some excitement out of the heist – even though it still feels tense. It’s nice that there’s two heists and the main one is fun – but the one at the beginning is funnier.
I liked that they’re trying to rob a bank at a geriatric age and it makes for a different sort-of heist caper. It has low-speed chases instead of high-speed chases, like when they have a practice theft at a grocery store and hijack an old lady’s motorized shopping cart. It’s one of the funnier moments, and it’s scenes like these when you know it doesn’t take itself too seriously and it’s better for it.