Review: Sator (2021)

Review: Sator (2021)

The film’s very much in the “slow-burn” thriller vein like many of A24’s films – Robert Eggers’ The Witch or Trey Edward Shults’ It Comes At Night are direct comps – but, even despite the simplistic story, there seems to be always something happening. Graham’s direction makes this forest feel alive throughout the film, and its immersive cinematography and sound design really sets the tone. One of the film’s most horrifying sounds is made by Adam in the form of what looks like a “deer whistle” but the sound is made by a “death whistle.” If there’s one thing you don’t want to hear in the middle of the night, it’s this sound.