Directed by: Brian Kirk. Starring: Chadwick Boseman, Sienna Miller, J.K. Simmons. Runtime: 1h 39 min. Released: November 22, 2019.
An embattled NYPD detective, Andre Davis (Chadwick Boseman) is thrust into leading a citywide manhunt for a pair of cop killers and uncovers a massive conspiracy. 21 Bridges is a movie that I expected to enjoy given the talent involved – Chadwick Boseman stars and Joe and Anthony Russo are on as producers, as well. Boseman plays his character well as someone who lives in the shadow of his father, a cop who died when Andre was a kid. Andre is characterized as having a happy trigger finger and being the one who shoots first and never asks questions because they’re already in a body bag.
Boseman is easily the best part of this, and it’s interesting for the story that the trigger-happy detective leads the charge against a pair of cop killers. Everyone is out for blood as the stress is high, as Captain McKenna (J.K. Simmons) puts Davis on the case. It’s interesting as Davis picks tonight to be a good cop and ask questions first as everyone else becomes trigger happy trying to catch Ray (Taylor Kitsch) and Michael (Stephan James). Sienna Miller is also solid as Detective Frankie Burns who teams up with Davis.
Instead of really enjoying this, though, most of the film’s developments felt obvious to me and it all felt predictable. The action itself is fine and some of the manhunt scenes are thrilling. It’s just an old-fashioned cop movie, but it doesn’t do enough with its premise. The sound design isn’t good, either, as gunfire constantly drowns out dialogue. The score also misses in a lot of scenes because half the time the music just doesn’t fit the scene. It’s a big booming orchestra when Andre is just looking through the crime scene and then a similarly dramatic score during the big action scenes. It feels awkward.
The premise of the film works well and the fact that they shut down Brooklyn and all its 21 bridges is a good idea for a lockdown sort-of film, but they waste the premise on a standard story. The villains are okay, here. Basically, Ray and Michael learn about a shipment of cocaine and find way more than they thought there would be. They’re both trained military, and Michael has a strong backstory. As the film starts to tell its conspiracy, it’s all terribly predictable. I do think some of the action is good, but the writing showed its cards so often I couldn’t enjoy it.