Directed by: Richard Shepard. Starring: Allison Williams, Logan Browning, Steven Weber. Runtime: 1h 30 min. Released: May 24, 2019.
Some spoilers follow.
When troubled musical prodigy Charlotte (Allison Williams) seeks out Elizabeth (Logan Browning), the new star pupil of her former school, the encounter sends both musicians down a sinister path with shocking consequences. Y’know, I absolutely love movies with a twist.
But with The Perfection, there are about four or five twists sprinkled throughout the film. These are not small twists, either; they are twists that subvert expectations at every turn. I could barely figure out what film it’s trying to be, and when I thought I had figured it out, director Richard Shepard and co-writers Eric C. Charmelo and Nicole Snyder say “Psych!” and change the direction of the film. The changes feel organic to the story, however, and they are rarely frustrating.
That’s what makes The Perfection one of the most unique horror films I’ve seen in awhile as it blends romance, a stalker movie, a virus film, as well as another genre which would border on spoiler. I’ll just say that some characters get their comeuppance and that aspect doesn’t work as well as the others. The third act twists are intriguing, but one aspect is a disturbing pillow to swallow. It’s the only direction of the film I don’t completely love as it becomes slightly too dark for even my tastes, and I think if it was handled in a different this would be in my Top 10 of 2019. (For reference point, this would probably still make my Top 30 out of 200 films.)
Allison Williams and Logan Brown are both great here. Williams plays so many layers convincingly that I swear after this and Get Out, I could never trust her. Steven Weber also turns in a memorable performance as the music teacher who thrives on perfection. It’s a film that is separated into distinct chapters and tones and they are balanced well. The Perfection is a wild, wild ride and it takes so many risks, even if they don’t all pay off. It also never feels like a gimmick where it’s only about its twists, because it gives thought to its characters. It has backbone and for a film that could be very standard, it takes an utterly crazy path, the road less traveled. It’s audacious to its last shot. Truly, the last note I wrote for this film in my notebook was: “Honestly, what the fuck?”