Directed by: Cathy Yan. Starring: Margot Robbie, Rosie Perez, Mary Elizabeth Winstead. Runtime: 1h 49 min. Released: February 7, 2020.
Harley Quinn (Margot Robbie) intends to make a name for herself in the crime world after breaking up with the Joker. Instead, everyone wants to kill her because she’s no longer under his protection, which makes for some fun scenes. Eventually, Harley teams up with Dinah/Black Canary (Jurnee Smollett-Bell), the Huntress (Mary Elizabeth Winstead) and police officer Renee Montoya (Rosie Perez) to save a girl, Cassandra Cain (Ella Jay Basco) from crime lord Roman Sionis (Ewan McGregor).
I’ll start with Roman, a.k.a. Black Mask. McGregor plays the character with some solid humour. He’s also scary, especially when flexing powers in misogynistic scenes played for intimidation. He’s a more imposing and interesting villain than Cara Delevigne’s Enchantress in 2016’s Suicide Squad, and McGregor has fun in this role. He fits the shoes well, though it seems like a role tailored for Sam Rockwell’s quirks, as far the humour side of the role goes. McGregor is a fine choice and he’s great when he finally puts on the Black Mask.
Margot Robbie is of course the highlight as Harley Quinn. She makes the character and has a lot of funny lines, and I like the bit about finding the perfect breakfast sandwich. Her action scenes are simply fun, and as far as the R-rated violence goes, a scene in a police station has some of the film’s strongest fight choreography.
The humour and action fits Harley as a character, as does the way the story that bounces around according to her train of thought and when she thinks it’s important to tell you something for the story. Screenwriter Christina Hodson understands Harley, and it’s a strong screenplay. This is two good screenplays in a row for Hodson after Bumblebee, and I mention that because she started off with two bad films, Unforgettable and Shut In, both of which I consider among the worst films of their release years. Hodson does well with this property.
This is more of a Harley film than a Birds of Prey film, they have both in the title but Birds of Prey is front and centre. The members of BOP show up throughout, but Dinah/Black Canary has the most to do throughout as an employee of Roman’s at his club. As a regular person, she’s the most interesting one here besides Harley.
Rosie Perez is solid as Montoya and I like the bit that she talks like a cop from a bad TV show. I like how all the characters come together through Cassandra Cain, a street-smart pickpocket who has a decent chemistry with Robbie. All of the core characters have solid chemistry with each other in the way they’re brought together but don’t really like each other.
I liked the humour for her Mary Elizabeth Winstead’s Huntress and she has a couple moments to shine, even if she doesn’t do that much. One of my favourite parts of this is as she goes down a slide and uses a henchman as a sled as she stabs him to death. It’s a cool shot. Also when Black Canary is allowed to be super, her battle cry is worth the wait.
It’s the ending here when all the women band together to fight for a common interest in protecting the girl that the film really shines. It’s when the action is most memorable, too, and it’s a finale fit for a solid comic book film like this one. There is great comic violence throughout the film as the characters take care of business separately, but it’s just a different level of fun when they kick ass together. I wish they could have done that together for longer, but it’s a blast while it lasts. In general, too, Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn is a good time at the movies.