Wes Anderson’s films are an acquired taste. It is a taste that I am starting to like after two of his films. I think 2012’s Moonrise Kingdom is good, but boring when the laughs weren’t there. This isn’t the case with The Grand Budapest Hotel. It’s a consistently funny film that boasts a phenomenal ensemble cast. The film follows the adventures of a legendary concierge named Gustave H (Ralph Fiennes) at a popular hotel in Eastern Europe called the Grand Budapest Hotel. It also follows closely his relationship with his lobby boy Zero (a funny Tony Revolori, making his film debut), who becomes a trusted friend.
The comedy at hand might not work for everyone. Some of the comedy might be dry to some, but I think it’s witty. Take for instance: While this film made me laugh at least 20 times, I never once heard the woman sitting in front of me laugh. At points I was almost convinced she fell asleep – but she kept moving. I’m really not sure why she stayed the whole way if she wasn’t laughing very often. Anyway, the reason the film’s comedy works is because of the pure lunacy of everything on-screen. It’s a compelling crime caper with a lot of situational comedy.
Anderson directs the film with his signature signature, which some accuse of being just style over substance. I think the story at hand is engaging, if a bit bizarre – but that’s what is so entertaining about it. Why have a car chase when you can have a sled chase? The vastly different landscapes also make this worthwhile, as the settings are always as beautiful as the exquisite cinematography that captures it. The visual style is also great, and so is the set design. One thing I do not like about the film: A bit of an uninspired animal death to get a laugh or two. Now, this scene did make me laugh, but Anderson takes the situation too far for my tastes.
I like the narration by both Jude Law and F. Abraham Murray. Murray plays an adult Zero, who shares his and Gustave’s experiences to a Young Writer (portrayed by Law), who later writes about the man’s experiences. I like the poignancy of Zero wanting Gustave’s approval. I think they have a great chemistry together, and a realistic relationship. Gustave is a peculiar character but Ralph Fiennes brings him to life so well with a hysterical, energetic and flamboyant portrayal that is beyond charming. I think the fact that he has a palette for older women is weird – he states he’s had women older than the age of 84 – but perhaps he’s only searching for the approval of a grandmother figure; and I think it works into the story’s favour in other ways, by using it as a character device. Due to this it’s not as strange, but little oddities are part of this film’s charm.
The chemistry shared between Saoirse Ronan (portraying Agatha, who has a “birthmark shaped like Mexico”) and Tony Revolori portraying Zero is lovely. Revolori shows promise in his first outing, and takes to the subtle humour like an expert. Willem Dafoe also has an amusing performance as a maniacal character. Adrien Brody plays his villainous character well, and Anderson makes some good musical decisions when he’s on-screen. Many of Anderson’s favourites have small roles, including Edward Norton as a main investigator. Thanks to great storytelling, and the performers’ fun performances, it will make your stay at The Grand Budapest Hotel enjoyable. I would like to check in again soon.