Terminator: Dark Fate (2019)

Terminator: Dark Fate (2019)

Directed by: Tim Miller. Starring: Linda Hamilton, Mackenzie Davis, Arnold Schwarzenegger. Runtime: 2h 8 min. Released: November 1, 2019.

In Terminator: Dark Fate, an augmented human named Grace (Mackenzie Davis) and Sarah Connor (Linda Hamilton) must stop an advanced liquid Terminator – a REV-9 (Gabriel Luna) – from hunting down a young girl, Dani Ramos (Natalia Reyes), whose fate is critical to the human race.

It seems that the best way to breathe some life into a franchise is just to go back to the well and do the same thing over again. That’s what this does as it has a lot of similarities to Terminator 2: Judgment Day. They do a lot of the same things, especially with the REV-9 villain, who is basically just the T-1000, who’s made of liquid metal. The REV-9 is just regular liquid and this one’s new trick is turning into two separate Terminator’s.

Linda Hamilton works well here as Sarah Connor as for the past 20 or so years, she’s been answering anonymous texts that lead her to where Terminators will be. And she kills them, at least most of the time. That’s how she crosses paths with Grace protecting Dani Ramos. Dani is a fine John Connor substitute in this film and learning about her future is interesting. Mackenzie Davis is great as Grace, and she shows some true action star potential. I’ve only seen her in a couple mediocre comedies, but she’s impressive here.

Terminator, Dark Fate, articke
Mackenzie Davis and Natalia Reyes in Terminator: Dark Fate. (IMDb)

What they do with Arnold Schwarzenegger’s character is interesting, too. He’s still the T-800 but named Carl as he’s adapted to human life after accomplishing his mission and staying in our time. The dynamic between the T-800 and Sarah Connor is fiery and tense. Schwarzenegger’s performance is most enjoyable if you don’t try to make sense of the Terminator timeline, because it really doesn’t make sense.

The action in the film is also exciting and there are some good action set pieces. There’s a point where there’s a fatigue with the action, because the film feels long at 128 minutes, but it’s still worthwhile for the most part. The film doesn’t do a lot of anything new but considering Terminator: Salvation isn’t that great and Terminator: Genisys is just a mess, this is a welcome treat.

A little rinse and repeat goes a long way for this sequel that would be an appropriate send-off for the franchise because, while it’s set up for a sequel, I don’t think we necessarily need anything further from this story. We arguably didn’t need this one but I’m glad we got it – it’s just a bit of a shame this story couldn’t have been the fourth film in the franchise in the mid-2000’s when people still kind-of cared about Terminator.

Score: 70/100

Deadpool (2016)

Deadpool (2016)

 

Better Deadpool poster
Source

Released: February 12, 2016. Directed by: Tim Miller. Starring: Ryan Reynolds, Morena Baccarin, Ed Skrein. Runtime: 1hr, 48 min.

The wait for the man in the red suit is finally over. It’s not Santa Claus – but the merc with a mouth himself, Deadpool. And it’s everything I’ve dreamed a Deadpool movie would be.

It’s fun and consistently entertaining. The strong pacing and the film’s fourth-wall breaking enables smooth transitions in the well-written screenplay. As a bonus, it’s heartfelt.

It’s an R-rated dream, challenging the likes of Kick-Ass and The Punisher as one of the most violent super hero films. Though, Deadpool (Ryan Reynolds) is more like a super vigilante.

Wade Wilson was Special Forces before he became Deadpool, signing up for treatment that’s said to cure his cancer. It turned him into an ugly, super human, immortal ass-kicking machine, which led him to leave his girlfriend Vanessa (Morena Baccarin) in heartbreaking nature.

I was hooked from the film’s opening credits – a flipped car frozen in motion, as the camera takes us through a variety of items. The clever film induces big laughs in the most violent situations. The movie and violence work because of its over-the-top nature, and director Tim Miller really makes the humour hit in his directorial debut.

Colossus, Deadpool
Deadpool, Colossus and Negasonic Teenage Warhead in Deadpool. (Source)

The way the non-linear storyline weaves throughout the present and how Wilson became super is an intriguing style for a super hero film, which meets a balls-to-the-wall revenge tale.

Wilson has pledged revenge on Francis (Ed Skrein, The Transporter Refueled), who is responsible for the way Wade looks. Which, as the amusing T.J. Miller’s character Weasel describes, it’s like “Freddy Krueger face-f**ked a topographical map of Utah.”

Francis, whose villain name Ajax is more threatening, is a strong villain. He’s as sadistic as he is unrelenting. His power is a curse – where the super serum that Wade was put through turned Francis into someone who could not feel pain.

His right-hand woman is Angel Dust, a villain with super strength portrayed by former MMA fighter Gina Carano. She’s kick-ass, even though she can’t act her way out of a paper bag. For me, she’s the film’s biggest flaw.

Deadpool
Ryan Reynolds as Deadpool (Source)

Wade enlists two X-Men to take down the baddies. One is Colossus (voiced by Stefan Kapicic), an iron man with super strength; and the other is a trainee called Negasonic Teenage Warhead (Brianna Hildebrand). She has explosive powers, and is described as a “moody teenager” in Wade’s amusing vision of opening credits.

Deadpool’s great self-referential humour featuring digs at X-Men Origins: Wolverine and Green Lantern make this a winner. It also feels so fresh and unique.

Even when it falls into a standard hero versus villain battle at the end, the humour and ambition add a fresh spin. The pure beauty of the film is Wade Wilson and how well Ryan Reynolds does as the character.

His comedic timing fits the badass character as well as the red suit fits him. Reynolds’ ability to act so effectively with his voice brings an energetic aspect to the performance, and he seems to be picking his roles better since his entertaining turn in The Voices. It seems like a promise for better things for Reynolds.

He knows he isn’t a hero and he just does his thing and it’s awesome. The hero is harshly judged and his ugliness gives him a vulnerable layer that makes him relatable. The memorable action scenes and soundtrack complement the mood so well, which is the cherry on top on this glorious movie.

4.5 out of 5 stars