The First Purge (2018)

The First Purge (2018)
The First Purge poster
IMDb

Released: July 4, 2018. Directed by: Gerard McMurray. Starring: Y’lan Noel, Lex Scott Davis, Joivan Wade. Runtime: 1h 38 min.

I remember when I first heard about The Purge. I was excited because of its concept – but it ended up being disappointing. I thought its sequels (2014’s The Purge: Anarchy, 2016’s The Purge: Election Year) were stronger and added to the universe.

Now, we get a boring prequel with The First Purge, that shows the events of the very first Purge. The 12 hours of everything being legal implemented by the New Founding Fathers of America (NFFA) and it’s the 12 hours of all crime being legalized is pitched as a psychological device to let Americans unleash their anger. It’s supposed to save the country, thought up by Marisa Tomei’s Dr. Updale (Tomei’s the film’s only household name and she’s fine, but isn’t heavily involved in the action).

The first experiment takes place on Staten Island and the government offers $5,000 to simply stay on the island on Purge Night. It’s a payday many just can’t pass up. Other incentive offered is a bigger payday for all the crimes you commit. Want to kill a lot of people? Then, wear special contact lenses that videotape your night and you’ll have a nice payday if you survive.

A lot of this film doesn’t work because we know the Purge’s purpose – combatting overpopulation and thinning out the herd, especially those on welfare so the government doesn’t have to take care of them. It’s uninteresting when they repeat the politics, and since they have to establish the new characters, it takes 25-30 minutes to get to any action.

The main characters are Nya (Lex Scott Davis) and her brother Isaiah (Joivan Wade), who live in a low-income apartment building on Staten Island. They have a good chemistry but they’re not memorable.

Her ex-boyfriend Dimitri (Y’Lan Noel, TV’s Insecure) is a drug kingpin who’s trying to protect his business from competing drugl ords who would use the Purge as an opportunity to take him out. He’s also protecting the citizens since the government wants to take out Staten Island’s black population. Dimitri’s a highlight who can be threatening but also sweet when it comes to Nya.

The First Purge in the review
Lex Scott Davis and Joivan Wade in The First Purge. (IMDb)

He’s heroic and has a likable charisma for a drug kingpin, and has a good presence in the action scenes. Noel has the most presence of the main cast in general. He is a reason the film feels more like an action movie than a horror film this go around, as some it’s more akin to The Raid: Redemption than a Purge movie.

It still maintains its jump scares, but these are stupid. The franchise has evolved a lot from its original conception of home invasion horror and commentary on human nature to this boring affair. It’s also bogged down by its commentary on American extremism – featuring characters dressed as KKK members and Nazis.

The franchise has never been subtle but its subtext feels really in your face this time, especially one of its main references to Donald Trump – a Purger that hangs out in the sewers that traps Nya and grabs her by the pussy. If the action isn’t a clear enough reference, she then runs away calling him a “pussy grabbing motherf–.”

Also problematic are the film’s villains. The masks are toned down this time, but because of the Purgers’ lack of creativity. The Staten Island purgers are boring – but perhaps this is because in The Purge the participants had eight years to perfect their killing style.

The more creative Purgers are silly, from a pair of old women, accompanied by the Dazz Band’s “Let It Whip” whenever they’re on screen, who rig stuffed animals with explosives, to the film’s main antagonist Skeletor (Rotimi Paul). He’s a junkie and a psychopath who seems to be the only one who really wants to purge.

He’s over the top in every sense of the word, spitting all over the place as he talks. He’s totally crazy and Paul goes completely into the role. The character’s dumb– just because of his over-the-top nature – but he’s also the most memorable villain since Rhys Wakefield’s Polite Leader of the original film. Skeletor just might be the only thing I remember about this bad prequel.

Score: 40/100

The Purge: Election Year (2016)

The Purge: Election Year (2016)

the-purge-election-year
Source

Directed by: James DeMonaco. Starring: Frank Grillo, Elizabeth Mitchell, Mykelti Williamson. Runtime: 1h, 45 min. Release date: July 1, 2016.

As the U.S. Election just wrapped up the other day, I thought it would be fitting to post a review of “The Purge: Election Year”. I wrote this review back in August and did not post it, so I had to edit the end bit of the review about Donald Trump ever-so-slightly. 

“The Purge” franchise keeps getting better with each film. Perhaps writer-director James DeMonaco designed it that way – debuting the franchise with a disappointing original that executed its concept poorly, with a huge focus on politics. The one-house setting with a focus on one family was restricting and damning.Now DeMonaco has a formula set where the politics are briefly recapped and then gets right to the carnage. “Election Year” suggests he’s now realized the franchise’s fullest potential, delivering the most focused tale yet.

It’s Election year in 2025 in a very different America, where all crime is legal for 12 hours on a night a year in the Annual Purge, a holiday (for some) introduced by the New Founding Fathers of America to let Americans unleash anger and cleanse their souls, which also reduced crime rates.

It was also a way for the government to put more money in their pockets by thinning the herd and letting the rich kill America’s lowest classes who can’t protect themselves – meaning the government saves money because there are less people on welfare.

Senator Charlie Roan (Elizabeth Mitchell) is a voice for those impoverished, running for president to abolish the Purge, largely because her entire family was killed in 2007’s Purge Night in a darkly amusing scene.

The NFFA fears she’s gaining ground in the race against their candidate Minister Edwidge Owens (Kyle Secor), so they use Purge Night for some “spring cleaning” to take out their enemies, specifically the Senator. To do so, they take away the protection of Level 10+ government officials, so it’s now perfectly legal to kill them.

On the politics side, learning more about the New Founding Fathers is intriguing. The Washington, D.C. setting is opportune for more characterization, and they’re like nutty people blindly following a crazy cult leader.

Dante Bishop (Edwin Hodge), the only actor appear in all three films, has taken over the role of Michael K. Williams’ Carmelo Johns as NFFA’s main oppressor. Frank Grillo returns as Leo Barnes, the head of the Senator’s security detail and her main hope of survival through the Purge. His ability in combat supersedes the character himself, as he’s a badass protector with little depth. Mitchell is great as the Senator, though her morals get in the way of certain events which gets irritating.

the-purge-3
Mykelti Williamson, Frank Grillo, Joseph Julian Soria, Betty Gabriel and Elizabeth Mitchell in The Purge: Election Year(Source)

New low-class characters include Joe (Mykelti Williamson), a deli owner who has to protecting his deli himself after his insurance company raises prices on Purge night. Laney Rucker (Betty Gabriel) is a new character who drives around on Purge night helping those who can’t protect themselves. It’s noble and one of the film’s best concepts.

“Election Year” has horror in its veins thanks to creepy masks and many jump scares. It’s also scary for the low-class citizens who can’t defend themselves on Purge night. The great action and violence from “The Purge: Anarchy” is prominent, and the action sequences are fresh enough to satisfy fans of the franchise and newbies alike. The deaths are cool, especially one by guillotine. The characters are also some of the best yet, in terms of heroes.

The NFFA are cool villains, despite their baffling beliefs. There are neo-Nazi mercenaries who are good, but the main baddie, Earl Danzinger (Terry Serpico), is merely a menacing caricature. That’s what all the villains in “Election Year” feel like – caricatures of the bat-shit craziness of the America portrayed, just bloodthirsty animals wanting to purge.

the-purge-3-0
Source

A main villain, a bratty rich girl named Kimmy (Brittany Mirabile) with two puffs on her hair and a bedazzled rifle, is over-the-top and deliriously annoying – and her motivation is looting for a chocolate bar that Joe wouldn’t let her steal. She’s written in such a way that makes you impatient for her to die.

The characterization of the villains makes me believe the Polite Stranger from the 2013 original won’t be bested. The chilling performance by Rhys Wakefield made him one of the most memorable aspects. DeMonaco’s screenplay is still very good, but his villains have become forgettable.

There was an opportunity to create strong villains with murder tourists, who come from different countries to experience the Purge. Their scene is stylish and frightening. They could have been great – as they’re so prominent in marketing, decked out in patriotic masks of Presidents and the Statue of Liberty. Their potential was squandered when they started babbling about their love of America, and how they really want to kill people.

They were a disappointment, plus, they have the wrong idea: If the Purge ever became real, and it feels like it could with Trump as President, they should leave America on Purge night, not go to it.

Score: 80 out of 100

(This review originally appeared on the Movie Buff.)

The Purge: Anarchy (2014)

Purge AnarchyReleased: July 18, 2014. Directed by: James DeMonaco. Starring: Frank Grillo, Carmen Ejogo, Zach Gilford. Runtime: 103 min.

After last year’s The Purge disappointed, my expectations were virtually non-existent for The Purge: Anarchy. The quick production of the sequel also contributed to my low expectations, because I appreciate a strong production value.

The film opens with three different chapters that intersect within the first 30 minutes. The first chapter is an average working mother Eva Sanchez (Carmen Ejogo), and her daughter Cali (Zoë Soul). They represent the lower-class citizens, and they’re forced out onto the streets when a small army infiltrates their urban apartment building. Another chapter follows a police sergeant (Frank Grillo) who is out on purge night on his own accord, searching for vengeance. The third follows a middle-class couple (Liz and Shane, Kiele Sanchez and Zac Gilford respectively) whose car breaks down on the highway in downtown Los Angeles. When all of these characters intersect, a simplistic A to B plot is introduced.

 Writer/director James DeMonaco improves on the original in a lot of ways. Most notably, the high concept works better as an ultra-violent action flick, and the original’s horror aspirations just made it weaker. With a decreased amount of pop-up scares, this seems to aspire to be an action film with horror undertones – as it would be freaking scary to be out on purge night. It’s a high-concept from the mind of DeMonaco where annually each year, crimes – including murder – are completely legal for twelve hours. Of course, you can’t use weapons over Level 4 (rocket launchers would be out of the question) and you won’t legally be able to assassinate the President.

 The idea is designed to render the crime rate non-existent and to lower the unemployment rate. It’s a way for Americans to let off steam, or to “release the beast,” a right they are given by the new founding fathers of 2023. It’s also a way for the corrupt government to allow the murdering hunters to thin the herd by killing those who cannot defend themselves – the homeless and the poor. It’s also a way to control the American population, like hunters do to control the animal population.It’s also another way for Americans to be Number One in lowest unemployment rate and lowest crime rate.

 One unbelievable aspect is that people still won’t be imprisoned on non-Purge day. I don’t buy that there still won’t be money laundering or bank robberies. One thing that DeMonaco failed to take into consideration is the desperation of humans; because if they’re desperate enough, they’ll still steal or rape. Especially if they’re mentally ill, they’ll probably still kill because they could just snap. Even if they do wait until Purge day, it’s just not logical – because the justice system is what would be keeping that anger, or crazy urge to kill someone, in line.

Never-mind one’s morals or anything. There’s a bit of a more moral argument brought into this film through certain characters. One is a young woman named Cali (Zoë Soul) who is fascinated by an activist’s beliefs in the immorality of the Purge. This man, Carmelo Johns (a great Michael K. Williams), wants to fight back – because it’s legal, baby! Cali’s brief lectures to another character about the immorality of it all makes it a bit more in your face than it should have been in an average horror movie, but it adds a layer that the original was missing.

Another thing that is fascinating is the fact that some wealthy families actually purchase martyrs for Purge night. They go through sick and poor people, desperate enough to be bought out for a sum of $100k, which could help their families in great ways. It’s an intriguing little concept within the Purge mythology.

The film has good pacing and a strong third act. The characters are underdeveloped, but that’s fine with everything else going on. Since DeMonaco brings his story onto the streets of the purge night, it has much more depth and possibility of events than the first had, which was a limited home-invasion thriller with long stretches of yawn-worthy cinema. He knows where to improve and that’s great for a young filmmaker. Perhaps I enjoyed this because my expectations were non-existent, but if this is the direction the low-budget franchise is headed, it’s looking pretty good.

Score: 75 out of 100

Box Office Results July 26-28. (I can’t think of a clever title.)

The Wolverine“The Wolverine” did good business this weekend, but not nearly as great as everyone thought it would be. While it was tracking for a $70 million opening, it was only able to nab a $53.114 million opening. This opening should be attributed to the fact that the disappointing “X-Men Origins: Wolverine” disappointed many, so it kept some people away, and audiences are probably just fatigued of this superhero craze and all the explosions. (That makes me question how well “Kick-Ass 2” might do?) Since “Wolverine” did receive an ‘A-‘ Cinemascore, that should say it’ll have good legs. More good news: It’s already earned back its $120-million budget with its $139.2M worldwide tally.

As for the holdovers, “The Conjuring” continues to scare everyone as it had a drop of -46.9% to $22.2 million. That is a great hold for a horror film, where they traditionally face drops over 50%. (“The Purge” faced a drop of 76%!) “Turbo” also held well, dropping 35.5% to $13.74 million. Its box office performance will be thrown off pace when “The Smurfs 2” gets released on Wednesday, and it will be killed by the competition of “Planes”, come August 9th. It’s a very competitive market for animated movies, as “Despicable Me 2” is still going strong with a weekend gross of $16.4 million. “Grown Ups 2” was also in the Top 5 this weekend with $11.6 million, and it’s the 14th Adam Sandler movie to gross over $100 million. That isn’t exactly music to my ears, since I have such a low opinion of “GU2.”

“Fruitvale Station” found its way into the Top 10 with $4.59 million this weekend. “The Way, Way Back” earned $3.44 million and Woody Allen’s “Blue Jasmine” made $612, 064 at just six theatres, marking a career best Per Theatre Average for Woody Allen, and the best PTA of the year so far. Finally, “The To-Do List” grossed a miniature $1.58 million at 591 theatres, which is surprising considering I’ve basically seen the trailer before every comedy I’ve seen for the past month.

What did you all see this weekend? I didn’t get out to the theatre (well, I did last Thursday to see “White House Down”) this weekend, but I’m planning to see “The Way, Way Back” and “Much Ado About Nothing” this week. Maybe “2 Guns” on the weekend. I won’t be seeing “The Smurfs 2.” I just couldn’t take it. I’ll see what happens. I’m thinking of going through a comedian’s full filmography throughout the first half of August and posting the reviews throughout the second half. I’ll make an announcement post soon, but in the meantime, you’ll have to wonder who the comedian is. (Note: Half of their filmography is torture, and half of it I like. So I’m watching half of the comedian’s filmography for your entertainment, and half of it for mine.) Anyway, here’s how much I was off by for each movie in the Top 10:

Title: Result/Prediction/Difference

1. The Wolverine: $53.114M/$69.825M/$16.711M over
2. The Conjuring: $22.208M/$24.258M/$2.05M over
3. Despicable Me 2: $16.424M/$16.2M/$224, 000 under
4. Turbo: $13.74M/$13.5M/$240, 000 under
5. Grown Ups 2: $11.6M/$10M/$1.6M under
6. Red 2: $9.337M/$12.5M/$3.163M over
7. Pacific Rim: $7.703M/$7.8M/$97, 000 over
8. The Heat: $6.915M/$5.6M/$1.315M under
9. R.I.P.D.: $6.071M/5.5M/$571, 000 under
10. Fruitvale Station: $4.59M/$5.2M/$610, 000 over

For the one new release, I was off by $16.711 million.
For the nine holdovers, I was off by $9.87 million.

Remember to get your predictions in at Box Office Ace! You can get your prediction in for 2 Guns here, and your prediction for The Smurfs 2 here.

Remember to

“The Conjuring” scares a big audience, Snails and Retired Spies do okay, “R.I.P.D.” bombs hard

New releases from the weekend that are still on my watchlist: The ConjuringR.I.P.D.Red 2Turbo. So, all of them!

I’ve realized that I haven’t been a good box office analyst. I’ve been posting my predictions, but neglecting to report the results. This weekend, I’ll change that. At the beginning of 2013, it was looking like this year wouldn’t even match up to 2012 – but it’s catching up at a rapid rate. Through June, 2013 was 2.1% behind 2012. As of the end of this weekend, it is behind 1.1%. That is impressive considering this weekend was 19% behind last year, as “The Dark Knight Rises” single-handedly grossed $160.8 million. It’s looking like 2013 could match 2012’s number with some big blockbusters still to come: “The Wolverine”, “The Hobbit: The Desolation of Smaug”, and “The Hunger Games: Catching Fire” this fall, to name a few. Anyway, let’s get to this weekend.

“Turbo” opened to $21.3 million and has earned $31 million through its first five days. That’s the worst opening for a DreamWorks Animation since 2006’s “Wallace and Gromit”, and it’s even less than last year’s “Rise of the Guardians“. It could have legs because of its rewarded ‘A’ Cinemascore, but family audiences chose those yellow minions again (“DM2” earned $24.9 million this weekend) over snail racing. DreamWorks can only hope that snail racing is big overseas. I guess at least this poor outing says “The Smurfs 2” might not do so grandly, as family audiences have only so much money to spend in a month. (But since it opens at the very beginning of August, it might not be affected.)

“The Conjuring” was the big winner this weekend with a huge $41.8 million opening, so take that “The Purge“! It is now the second-largest opening weekend for an R-rated horror movie behind “Paranormal Activity 2”. That’s great for it because it looks really scary and I want to see it. It had a great marketing campaign, it looked terrifying, and people turned out to see it. It also came at a time where there were no horror movies on the market (well besides “The Purge” which is now only in 156 theatres). It will have great box office legs, because it was rewarded an ‘A-‘ Cinemascore, which, for the horror genre, is super rare.

“Red 2” had a soft opening with $18 million. The first movie grossed $21.7 million in its opening, so it seems that audiences thought it looked too similar to its predecessor, a problem “The Expendables 2” faced. I was optimistic with my prediction of $25 million because I thought that since it had really high DVD sales and the first had great legs, “Red 2” would do better business. I was wrong by $7 million. I didn’t factor in that the older audiences that this is aimed at is perfectly content to either wait for the DVD or go during the week when the crowds aren’t as big. Dang it! (By the way, I’ll probably be posting my review of “Red” soon.)

The only movie I was really close with was “R.I.P.D.”, which is standing at 11% on Rotten Tomatoes. I’m seeing it tomorrow, because I like to see everything, but audiences just were not interested in this “Men in Black” rip-off as it only debuted to $12.69 million. (I predicted $12.8M, woo-hoo!) And its budget was $130 million or so. Talk about one of the biggest bombs in recent memory! “Red 2” was its direct competition and that one came out on top. I think this movie looks fun, but audiences just didn’t bite. I’m not surprised one bit.

Here’s how the Top 10 performed! And if you missed any of my reviews, just click on the link to read it.

Title: Result/Prediction/Difference (Over/Under)
1. “The Conjuring”: $41.855M/$37.5M/$4.355M under
2. “Despicable Me 2: $24.906M/$22.473M/$2.433M under
3. “Turbo”: $21.312M/$28.8M/$7.488M over
4. “Grown Ups 2”: $19.872M/$19.5M/$372, 000 under
5. “Red 2”: $18.048M/$25M/$6.952M over
6. “Pacific Rim: $16.002M/$19.825M/$3.823 over
7. “R.I.P.D.”: $12.691M/$12.8M/$109, 000 over
8. “The Heat: $9.303M/$9.025M/$278, 000 under
9. “World War Z: $5.191M/NA/NA
10. “Monsters University: $5.121M/$6M/$879, 000 over

For the four new releases, I was off by a grand total of: $18, 904, 000

For the five holdovers I predicted in the top 10, I was off by a grand total of: $7, 785, 000

Did any of you go to the theatre this weekend? I saw “Grown Ups 2” on Saturday, don’t ask me why. Expect the review tomorrow. 

Box Office Predictions: July 19-21

There are four big releases coming out this weekend, so I’ll try to keep my thoughts on each of the movies brief, so this article doesn’t become too tedious. The movies are “The Conjuring”, “Red 2”, “R.I.P.D.” and “Turbo”.

“The Conjuring” will do superb business this weekend. James Wan’s movies have an average opening of $10.9 million. Supernatural horror movies open at an average $15.26 million, but 2013 horror movies have been outstanding in their opening weekend performances. “Mama” opened to $28.4 million back in January, and “The Purge” opened to $34 million last month. Those movies opened to little to no competition. (“Mama” was up against “Broken City” and “The Last Stand”, two under-performing movies; while “The Purge” was up against the modestly-performing “The Internship”.) This movie opens on a busy weekend, but it is heavily anticipated and it has critics raving. Also, since “The Purge” had such poor word-of-mouth, it plummeted from $16.7 million on the Friday to $10.4 million on the Saturday, a day where movies usually earn more than the Friday. Anyway, horror fanatics haven’t received a horror movie since “The Purge” in June, and they haven’t received a good horror movie since April’s “Evil Dead”. Since it is anticipated, has star power (Vera Farmiga, Patrick Wilson), and since it looks great, I’m going to go high with my prediction. I also think this will have phenomenal word-of-mouth, so this will go strong all weekend. I’m predicting $37.5 million for its opening.

“Red 2” is the sequel to 2010’s action comedy hit. It brings back the cast and this one looks really fun. I haven’t seen the first movie, so I’ll be watching the first one sometime this week. The first “Red” opened to $21.76 million back in October 2010, against “Jackass 3-D”, that opened to $50.3 million. “Red” has a good following, though, as it has a standing 7.0 IMDb score based on over 140, 000 user ratings. It is also the tenth-best selling DVD of 2011 (sandwiched between “Transformers: Dark of the Moon” and “Despicable Me”). The movie has a great cast including Bruce Willis, Helen Mirren, Anthony Hopkins and Mary-Louise Parker (who is also starring in “R.I.P.D.”).With this film’s good following, I think this sequel will beat its predecessor in its opening weekend number by a decent-sized margin; so for the three-day weekend, I’m predicting this at $25 million.

“Turbo” is DreamWorks’ latest production, and I think it’ll do well, as family audiences aren’t yet tired of animated movies. They have emptied their pockets on “Monsters University” and those little yellow minions are still dominating the market, so this could very well suffer from competition of those animated movies, and the other new releases. And families just could wait for “The Smurfs 2”. This seems like DreamWorks’ answer to “Cars” and “Ratatouille” in the way that it’s an underdog story. Kids like racing movies, but are they willing to see a racing movie that has a snail going for gold? Of course, Pixar was able to make a rat appealing in “Ratatouille”, but DreamWorks isn’t nearly as respected as Pixar. (But then again, which animated studio is?) And “Epic” had a snail and a slug as supporting characters, but they were there for comic relief, mostly. Anyway, with a decent-looking underdog story and a good voice cast (Ryan Reynolds, Samuel L. Jackson, Ken Jeong), this should do decent business on a busy weekend. For the three-day, I’ll predict $28.8 million; and for the five-day (Wed-Sun), I’m predicting $43 million.

Now that I’ve discussed all the ones I think will do well, this is the one I don’t have a lot of faith in. “R.I.P.D.” looks like fun, but it’s the least appealing out of all of the new releases. The 3D action comedy is adapted from a comic book of the same name, but I don’t see it doing well. Audiences haven’t been showing a lot of enthusiasm for it yet, but I think it’ll still attract a small audience somewhere in the low-teen millions. People like Jeff Bridges and Ryan Reynolds (who’s going to have a busy weekend), but I don’t know if this is on many people’s radars. I think it could do decent business, but it’s going to suffer because of all of the competition. And older action fans will probably just see “Red 2” instead. It’ll break $10 million, I think, but I don’t think it’ll go past the $15 million mark. I’m going to underestimate Bridges and Reynolds’ combined popularity and say an awful $12.8 million.

Here’s how I see the Top 10:
1. The Conjuring: $37, 500, 000
2. Turbo: $28, 800, 000 (5-day: $43M)
3. Red 2: $25, 000, 000
4. Despicable Me 2: $22, 473, 000
5. Pacific Rim: $19, 825, 000
6. Grown Ups 2: $19, 500, 000
7. R.I.P.D.: $12, 800, 000
8. The Heat: $9, 025, 000
9. Monsters University: $6, 000, 000
10. The Lone Ranger: $5, 800, 000

Brief-ish Recap of 2013’s Movies So Far

2013 has been a decent year for movies, and it’s improving in both quality, and in regards of box office earnings. And I think it can only get better from here, at least in terms of quality. So far, I’ve seen 36 movies that have been released in 2013, and I’ve missed quite a few as well. Here is my post for the best and worst of 2013 so far. There is a top 10 list, and a bottom five list, and I will post my “Most anticipated movies of Second Half of the Year List” sooner than later. Here’s what I thought of what 2013 has had to offer so far…

The Best of the Year So Far
This is the End“, 2013’s Best Movie So Far & 2013’s Best Surprise

First, the top 10. I have listed the title and the original score in brackets. I’ve decided not to include little blurbs from each review, because that just might become tedious to read with so many titles. If you want to read my thoughts, click on the link to my review. (Note: You might notice that some scores are lower than others, but higher on the list – but that’s because they’ve grown on me since I’ve seen them, and are better than other movies in terms of quality.)

1. This is the End (91), 2. Monsters University (90), 3. 42 (90), 4. The Place Beyond the Pines (88), 5. Fast & Furious 6 (90), 6. Mud (86), 7. Evil Dead (88), 8. Pain & Gain (83), 9. Spring Breakers (75), 10. The Croods (83).

Here’s 11-15: 11. Star Trek Into Darkness (83), 12. The Great Gatsby (82), 13. Warm Bodies (80), 14. Now You See Me (80), 15. Iron Man 3 (80).

Here’s the rest of the movies I’ve seen, ranked from best to worst (in blocks of five, so it’s easier on the eyes): The Last Stand (80); World War Z (75)The Heat (75) Mama (78)20. Oz the Great and Powerful (75).

Epic (74)The Incredible Burt Wonderstone (73); Identity Thief (72); Olympus Has Fallen (70); 25. Snitch (71).

Oblivion (67); Gangster Squad (63)The Purge (57); Man of Steel (50)30. Admission (56), Safe Haven (54).

2013's Worst Movie So Far
Scary Movie 5“, 2013’s Worst Movie So Far (But I don’t think there will be a bigger shitfest this year). 

Here’s the List of Shame, the Bottom Five of the year: After Earth (40)Peeples (38); The Hangover Part III (25)Movie 43 (30); 36. Scary Movie 5 (0).

Here was my Top 12 Most Anticipated Movies of the First Half of the Year: 1. Monsters University; 2. The Place Beyond the Pines; 3. Identity Thief 4. Oz the Great and Powerful; 5. Gangster Squad; 6. 42; 7. Now You See Me; 8. Fast & Furious 6; 9. Man of Steel; 10. Oblivion11. The Purge: 12. Mud.

5 of my 12 most anticipated movies made the Top 10, and 6 made my top 15. “Oz the Great and Powerful” was only slightly satisfying. “Identity Thief”, and “Oblivion” were mildly disappointing. “Gangster Squad” was quite disappointing because it could have potentially been an Oscar contender, but it ended up not knowing if it wanted to be serious or just silly. It was a lightly entertaining gangster movie, apparently much like “The Untouchables”. I’d put “The Hangover Part III” in my Top 15 Anticipated of the First Half, so that is the biggest disappointment of the year because it just wasn’t funny. The third biggest disappointment would be “The Purge”, and the second would be “Man of Steel”.

"The Hangover Part III", 2013's Biggest Disappointment So Far
The Hangover Part III“, 2013’s Biggest Disappointment So Far

The best surprise of the year definitely has to be “This is the End”, even if I was quite excited for it. I knew it was going to be good, but not that good, and especially not movie of the year worthy. Out of the films I wasn’t anticipating at all, “World War Z” was probably the nicest surprise.

These are the movies I missed, but will be checking out. I’ve only included the ones I could envision myself either popping into the DVD player, watching online, or going out to the theater and watching: A Good Day to Die Hard, Aftershock, Antiviral, Before Midnight, Berberian Sound Studio, The Bling Ring, Byzantium, The Call, Dark Skies, Dead Man Down, The East, Frances Ha, G.I. Joe: Retaliation, Ginger & Rosa, Hansel and Gretel: Witch Hunters, The Host, The Iceman, The Internship, The Kings of Summer, The Lords of Salem, Maniac, Much Ado About Nothing, Quartet, Room 237, The Sapphires, Side Effects, Song for Marion, Stand Up Guys, Stoker, To the Wonder, Trance, Upside Down, Upstream Color, Violet & Daisy, Welcome to the Punch, White House Down.

And finally, here are some statistics: 

Rotten Tomatoes Audience Average Score: 72.55

My Average Score: 69.22

IMDb Average Score: 66.05

Rotten Tomatoes Critics Average Score: 56.55

So there you have it… What’s your favourite movie of the year so far, and your least favourite? I won’t put a poll because there are just too many titles, so let me know in the comments!

Recap of June’s Theatrical Releases

I saw six out of the nine major theatrical releases of June. I still plan on seeing the following from the month of June, in alphabetical order: “Berberian Sound Studio”, “The Bling Ring”, “Byzantium”, “The Internship”, “Maniac”, “Much Ado About Nothing”, “Song for Marion”, “Syrup” (because I love Brittany Snow), “Violet & Daisy”, White House Down”. Considering that the lowest score of June’s new releases was 50 out of 100 (surprisingly “awarded” to “Man of Steel”), it was hardly a bad month for movies. Here’s the ranking of the June’s releases from best to worst, with a blurb from each of my reviews.

This is the End (6/12)
This is the End (6/12) [My review]
“This is an insanely funny movie. Ridiculous, yes, but a sure blast if there ever was one. It’s all good old-fashioned, self-aware bliss. This just shows that a comedy about hanging out with one’s best buds could be a real gem to the genre. Adam Sandler could take quite a few pointers from this comedy.” 91/100. This was my fourth most anticipated movie of June, and it exceeded expectations, and it’s currently my favourite movie of the year thus far. 

IMDb Score: 7.9/10Rotten Tomatoes Critics: 7/10RT Audience: 8/10.

Monsters University (6/21)
Monsters University (6/21) [My review]
“I will always cherish this fantastic film. I will always watch this with a big smile on my face. This is an impressive prequel to “Monsters, Inc.”, and an impressive Pixar movie.” 90/100. This was my most anticipated movie of June, and it truly satisfied.

IMDb Score: 7.8/10RTC: 6.7/10; RTA: 8.4/10.

World War Z (6/21)
World War Z (6/21) [My review]
“The story’s a good one, as far as ‘find the cure’ movies go. Since I have not read the book, I cannot comment on any similarities or big differences. All I can say is, it’s a story that plays well on the screen. I like that Drew Goddard has a hand in the screenplay; because he has talent. It’s a traditional, but very enjoyable ‘find the cure’ type of film.” 75/100. This was my tenth most anticipated movie of June, so it really impressed. 

IMDb Score: 7.3/10RTC: 6.2/10RTA: 7.6/10.

The Heat (6/28)
The Heat (6/28) [My review]
“The humour is raunchy as hell, but usually funny as hell. When I wasn’t laughing at the jokes, I was at least smirking a little. When it isn’t being hilarious, the likeable chemistry between Bullock and McCarthy really carries it along. The movie balances out to a fun, predictable, but hysterical time at the movies.” 75/100. This was my seventh most anticipated movie of June, so it did satisfy. 

IMDb Score: 7.1/10RTC: 6.0/10; RTA: 8.0/10.

The Purge (6/7)
The Purge (6/7) [My review]
“The concept helps make this movie memorable. However, this rushed home invasion flick/intriguing social commentary ends up being incredibly average. It’s disappointing, and while it has some worthwhile menacing villains, it’s the latest movie to the Great Concept, Poor Execution category.” 57/100. This was my third most anticipated movie of June, so it was truly disappointing.

IMDb Score: 5.6/10; RTC: 5.1/10; RTA: 6.0/10.

Man of Steel (6/14)
Man of Steel (6/14) [My review]
“I do not appreciate the constant changes in tone throughout the feature. It goes from big, stupid action to character-driven drama that feels real. It becomes bothersome quickly, and it does not make for effective storytelling.” 50/100. This was my second most anticipated movie of June, so it was a big let-down.

IMDb Score: 7.8/10; RTC: 6.3/10RTA: 8.0.

Here are some statistics: 

IMDb Ranking: 1. “This is the End” (7.9), 2. “Man of Steel” (7.8), 2. “Monsters University” (7.8), 4. “World War Z” (7.3), 5. “The Heat” (7.1), 6. “The Purge” (5.6). Average score: 7.25/10. 

RT Critics Ranking: 1. “This is the End” (7.0), 2. “Monsters University” (6.7), 3. “Man of Steel” (6.3), 4. “World War Z” (6.2), 5. “The Heat” (6.0), “The Purge” (5.1). Average score: 6.21/10. 

RT Audience Ranking: 1. “Monsters University” (8.4), 2. “The Heat” (8.0), 2. “Man of Steel” (8.0), 2. “This is the End” (8.0), 5. “World War Z” (7.6), 6. “The Purge” (6.0). Average score: 7.66/10.

My Average score: 73/100. (Adjusted [excluding lowest grade]: 77.6/100.)

What movies did you enjoy out of June’s releases, and which ones did you hate? There were a total six votes in my Most Anticipated Movies of June poll (4 to “Man of Steel”, 1 to “This is the End”, and 1 to “Monsters University”, which was my vote). Did your most anticipated movie satisfy or disappoint the hell out of you? Let me know in the comments!

Also: I’ll be posting my Best of the Year So Far article sometime this weekend or early next week. Stay tuned! 

 

Box Office Predictions: ‘The Heat’, ‘White House Down’

 

The HeatComedy movies have performing fairly well so far this year. A few bombed (Movie 43), a few opened to expectations (This is the End), and a few impressed (Identity Thief). Now, it’s time to see how the Sandra Bullock/Melissa McCarthy buddy comedy will perform. I think it will out-do Identity Thief, but not by a huge amount. It seems extremely vulgar, but funny. This is going up against White House Down and the competition of World War Z, and Monsters University in their second weekends. This and WHD are in a real battle of the sexes. I’m looking forward to seeing this, and movies similar to this open to an average $24.68 million. Melissa McCarthy is pretty popular, as well. I’m indifferent about her; I like on her on TV’s Mike and Molly, but I’m not a huge fan of the kind-of role she plays in Bridesmaids: dirty and vulgar. I don’t hate that role, because it’s good once or twice, but I think it’s going to become tiring very quickly. I think the role could be gold, however, matched up with Sandra Bullock. And director Paul Fieg. I think this could find some great success this weekend, mostly because there aren’t many other films targeting females in the market right now (and so many are for men), so I’m predicting it at $41.9 million.

White House DownWhite House Down looks pretty good, but it’s as if we’ve already seen it earlier this year with Olympus Has Fallen. That movie earned $30.37 million in its opening weekend, so this really should gross more than that surprise hit, with bigger stars and director. I also think the advertising campaign is kind-of brilliant, in the way that they only portray the villain as a familiar voice. I think it really adds to the mystery of it all. Movies similar to this open to $31.25 million. Channing Tatum has an average opening of $22.6 million. Jamie Foxx has an average opening of $19.2 million. Roland Emmerich, the director, has an average opening of $39.15 million, which I think is the ideal ballpark for this. His movies are almost always lots of fun (even though one of his more serious pictures, Anonymous, was very boring). In this weekend’s battle of the sexes, I think this actioner will lose to The Heat and earn $40.3 million. The two movies might just be going head to head all weekend.

box office
Here’s how I see the Top 10

1. Monsters University [review]: $44, 900, 000
2. The Heat: $41, 900, 000
3. White House Down: $40, 300, 000
4. World War Z [review]: $28, 160, 000
5. Man of Steel [review]: $23, 600, 000
6. This is the End [review]: $8, 500, 000
7. Now You See Me [review]: $5, 300, 000
8. Fast & Furious 6 [review]: $3, 345, 000
9. The Purge [review]: $2, 400, 000
10. The Internship: $2, 100, 000

 

 

The Purge (2013)

The PurgeRelease Date: June 7, 2013

Director: James DeMonaco

Stars: Ethan Hawke, Lena Headey, Max Burkholder

Runtime: 85 min

Tagline: Survive the Night

The year is 2022. America’s economy is flourishing, the unemployment rate is at 1%, and crime is almost non-existent. Except for one night a year; for twelve hours, all crime, including murder, is legal. The police cannot be called. I guess you could call them, but no one’s going to respond. The Annual Purge lets the American people release their inner beast, or let the tiger out of the cage, if you will.

This is the story of one family during the unforgettable Annual Purge of the eerily not-so-distant future, 2022. James Sandin (Ethan Hawke) sells security systems for a living, and his family is living the American dream. They settle in for the night, all cozy in an apparently impenetrable fortress. Or so they think. The son, Charlie (Max Burkholder, that kid from Daddy Day Care who says, “I missed!”), still forming his own opinion on the Purge, assists a helpless man outside by letting him into his home. Yeah, things are going to turn out just hunky-dory for you when you do a stupid thing like that.

A small mob of scholarly young folk wearing masks comes to their door, asking for the so-called “grotesque swine” to be delivered to them within the hour, or they’ll come into the house and kill the entire family. Now, the Sandins must make a choice: Keep their morals intact and fight, or give up the stranger and become the monsters from whom they hide.

The Purge has one of the most intriguing horror movie concept in quite some time. The movie just cannot do much with it. It tries to make a point using a successful, horror/thriller formula. The thought-provoking movie challenges one’s inner morals. It isn’t more than that. It’s partly a social commentary of what America might one day never become, and a commentary on the human race’s obsession with violence; and the fact that these people would rather bash in someone’s head to let off steam, instead of hitting a watermelon or a piñata.

It’s also a rushed home invasion horror flick. None of these characters are particularly likeable. The daughter is really just doing her own thing. She’s way out of the loop, she doesn’t know what’s going around the house, which really doesn’t reflect well on the rest of the family. The father, James, is a security system salesman who’s rather unlikeable. He’s the one calling the shots for the family. Mary (Lena Headey) is easily the most likeable character, mostly because she has a strong hold on her morals, and she will frustrate you the least. The most frustrating character of all is Charlie. He is one of the stupidest characters you’ll ever see in a horror movie, and that’s saying something. He is still forming his opinion about The Purge (as he’s supposed to be around 14 years old), and he will frustrate you a countless amount of times, and taint one’s enjoyment. (Oh, if you shine a flashlight all over the room, no one will see the light from underneath the door. Idiot.) His character represents the minority of people, the ones who do not support The Purge. The morals of this family clashes with the apparent norm of this futuristic society, that it’s all right to commit all the crimes one can, because there really isn’t anyone stopping you. And it also brings about class warfare. If you can afford the protection, that’s better for you. It kind-of makes me think this mirrors the two-tier health care system, because the rich are better off. If one can afford the protection, they probably won’t die; if one can’t afford protection, they’re screwed.

The Purge party of scholars led by a character called Polite Leader (Rhys Wakefield sporting an eerie smile) only want their target for their Annual Purge, but now I’m thinking they just want to kill as many people as they can muster. Only seconds after requesting their target, they cut the power to the Sandin home; making it that much harder for the Sandin’s to actually acquire the intruder, whose character name is Bloody Stranger. There are a few other problems with this group… What’s the point of wearing masks if all crimes are legal? They must be trying to be scarier, since they really are only apparently smart hooligans. (See, there might be a point to it – because nerds with machetes really aren’t so terrifying. Right?) These weirdos are also knocking on all the windows, swinging on swings, making threatening motions, staring into the cameras all weird, making menacing faces… Because that isn’t distracting enough when you’re trying to find someone with the power out, right?

The film has a bland, 10-minute introduction; a 40-minute suspenseful build-up; and a meager 25-minute (or so) pay-off. The first ten minutes are bland, at best; mostly because there’s simply a lot of insincere smiling and traditional, “Have a safe night, okay?” There’s a large focus on the social commentary, and a miniature one on the actual home invasion. Movie-goers will be buying tickets to the home invasion aspect; and there’s hardly enough of it. Once one digs underneath its original and intriguing concept, they will find The Strangers set in the year 2022. The masks, the themes, the atmosphere, and some of the scenes are similar. It seems we have received a sequel to The Strangers after all. Beneath the surface, this plays out like every other horror movie. It’s a true disappointment.

The movie’s suspenseful, but rarely scary. It is billed as a sci-fi horror/thriller flick, not a suspense movie; so that’s a true issue. You’ll jump two or three times, maybe. The concept is scary, because you’d be anxious enough waiting the eight minutes for the cops to appear; and in this situation, they’re not going to show. The masks are creepy, but not nearly as creepy as an insane, well-dressed Polite Leader with a chilling grin. Rhys Wakefield rocks the role, and he’s certainly the most memorable thing about this low-budget horror flick. He seems ecstatic that he might be able to kill a whole family, and not just the party’s target. He’s very menacing. The only other thing that is likely to haunt your dreams is an eerie Chucky-esque doll/camera/radio-controlled car contraption controlled by Charlie. Other than those two things, most of the scary-ish things about this movie left my mind – and I slept like a baby. This hardly leaves a lasting impression, and since I’m a paranoid person; by God, horror movies need to keep me up at night to receive a great grade.

The concept helps make this memorable. The general movie only ends up being incredibly average. The movie also falls victim to countless, frustrating clichés. This will leave a lot of movie-goers disappointed. Rhys Wakefield is the only other thing that makes this worthwhile at all; but this is still the latest movie to be added to the Great Concept, Poor Execution category.

57/100