29 Days of Romance, Review #10: Midnight in Paris (2011)

29 Days of Romance, Review #10: Midnight in Paris (2011)
Midnight in Paris poster
IMDb

Directed by: Woody Allen. Starring: Owen Wilson, Rachel McAdams, Marion Cotillard. Runtime: 1h 36 min. Released: May 20, 2011.

I have some Woody Allen films on my watchlist and I thought I’d start with Midnight in Paris because it seems the most interesting. This is only my second Woody Allen film after watching the mediocre, but well-acted Irrational Man in theatres in 2014. My expectations were higher for Midnight in Paris because it’s well-reviewed, but apparently that doesn’t matter for me when it comes to my enjoyment.

Gil (Owen Wilson), an American screenwriter obsessed with Paris and nostalgia, is on vacation with his fiancé Inez (Rachel McAdams) and her family (Kurt Fuller, Mimi Kennedy) and is trying to write his first novel. For inspiration, he takes walks and is transported to 1920’s Paris every night at midnight.

There’s a charm and whimsy to Midnight, a lot of which is thanks to the 1920’s inspired score (there are no ‘music by’ credits on Woody Allen films for some reason, which seems weird). The concept of the film is good even if the “rules” of the time travel aren’t explained. Gil just has to go to one certain corner in Paris and hop in a car that will drive into that era. It’s not as much about the “time travel” side of it but the fact that it’s escapism to a golden age.

The film’s a love letter to the city of Paris and it’s evident Woody Allen loves the city. Owen Wilson’s performance is why I liked parts of this, but Allen inserts himself into the character a bit too much and his occasional prose would be easier to read than watch. His dialogue gives this life in the scenes of the 1920’s, which is where I found some entertainment. Tom Hiddleston as F. Scott Fitzgerald and Corey Stoll as Louis Hemingway are highlights, as is Kathy Bates as Gertrude Stein. The rhinoceros bit with Adrien Brody as Salvador Dalí is hysterical. Allen captures the author personas and artists well even if half of what Hemingway went on about felt repetitive.

Midnight in Paris article
Owen Wilson and Rachel McAdams in Midnight in Paris. (IMDb)

There are some obscure references to Parisian figures that I just didn’t know but are funny if you’re familiar with them. The writing in just sometimes not all that accessible because Allen just flexes how much he knows about the era and that gets to a point where it’s obnoxious, but Gil himself never feels obnoxious. Gil was the only character I cared for and even the literary figures became gimmicky after a couple nights. The best character is an amalgamation of Picasso’s lovers, Adriana (Marion Cotillard). She brings charm and strong chemistry with Wilson.

Rachel McAdams plays bitchy well but I hate her character. I’d assumed McAdams would be the love interest here and not the anchor holding Gil down. Kurt Fuller is solid as her father John. There’s a character here called Paul who is very obnoxious, and he’s only saved by Michael Sheen’s screen presence. He makes you want to listen even if his dialogue is dull. For the most part, the scenes in the present were insufferable for me. That’s the point because the present day is shown as pedestrian and unsatisfying, but still.

Wilson is the highlight for me as an average, rich guy who we live vicariously through as he goes back to the ‘20s. His passion for Paris is sweet – as this is a romance is man and woman, but also man and city – but it didn’t make me passionate about Paris. It just made me think it would be cool to revisit ancient Rome. I like nostalgia as much as the next guy, but the charm of this simplistic story turned to boredom quickly. It just left no impression on me and I don’t think strong dialogue and one good character is enough for a great film.

Score: 50/100

About Time (2013)

About TimeReleased: November 1, 2013. Directed by: Richard Curtis. Starring: Domhnall Gleeson, Rachel McAdams, Bill Nighy. Runtime: 123 min.

“About Time” is not one’s average romantic film. It might have some of the same messages, but most don’t involve time travel. The story involves Tim (Domhnall Gleeson) who, on his 21st birthday, learns that he has the ability to travel in time, like all of the men in his family before him. He decides to use his new-found ability to score a girlfriend, because he’s always known his life will be about love. Though, when time travel is involved – and especially when love is involved – nothing is ever so easy.

The way the awkward but charming Tim goes about wooing Mary (Rachel McAdams) is clever. He first meets her at one of those blind dining dates, where it’s like a blind date and it’s completely in the dark. He hits it off with her, but when his funny roommate Harry (Tom Hollander, as a character who is funny but often has one of those “everything bad happens to me” attitudes) has a professional crisis, Tim goes back in time and in turn doesn’t meet Mary; so he must meet her in other ways, in very funny ways, I might add.

The time travel plays a big role in the film but it’s light and easy to follow, mostly because the characters don’t have to worry about the butterfly effect. Of course, time travel comes with surprises and secrets, but I won’t spoil them. It’s refreshing when time travel is simple because sometimes it gets too complicated, and it would simply bring the whole film down tonally. The characters can only time travel to where they have been at that exact moment, and if they want to go somewhere else, they’d have to run there and couldn’t conveniently go straight there. Tim’s father (Bill Nighy) comedically explains it by saying “you cannot go back in time and kill Hitler.” The film is also light on entertainment from time to time, but it never let my attention wander once; perhaps because the characters keep viewers quite interested in the movie.

Tim’s a great character. He’s a selfless one, too, because he cares dearly about his family and will go back in time to help them. He would also do it for his friends, and, of course, himself. The only thing he uses time travel for is to avoid embarrassing situations, or edit his life to make things better. His time travel adventures are hysterical and charming. Time travel makes him make difficult decisions – but it also enables him to have privileges no one else does. Domhnall Gleeson delivers a heartwarming and natural performance. Tim is just an average guy with an extraordinary secret, and a very awesome family.

Bill Nighy is Arthur, Tim’s father who teaches him life lessons – like many other fathers, and who touches people with his great kindess. There’s an eccentric uncle – Desmond (Richard Cordery) who is very forgetful. Kit Kat (Lydia Wilson) is Tim’s sister, someone who faces struggles in life because of her relationships with people. The mother (Lindsay Duncan) is a character who doesn’t have a lot of depth, but she doesn’t have to because this is much more of a tale of fathers and sons. There’s really nothing quite like the relationship a father and son share, is there? That’s what makes this film have such a big heart, and this has the ability to touch everyone’s soul – and I really wanted to call my dad after I saw this film.

Since Rachel McAdams has a new haircut for her character she looks much more like a simple beauty, but she is still very charming and a great choice to play the leading lady. She wants what is best for her family and the actress is great at what she’s called to do, like portraying emotions with her eyes and like walking down the aisle to the sound of Jimmy Fallon’s “Il Mondo, in one hell of an aisle walk. It’s also a great movie soundtrack, so that’s a real bonus.

This movie family is natural and seems like everyone else’s, and each character gets their moment to shine. This is a truly wonderful and lovely film that makes viewers care about all of the characters. It teaches that you should cherish all of the little moments and make the best out of everything; and live everyday like it’s the last day of your life, and it’s the last day you’ll see those you’ll love. It’s a very relatable message and a well-thought out one by Richard Curtis, who also wrote such romantic hits as “Love Actually” and “Notting Hill.” This is just such an unforgettable celebration of life, and it highlights the struggles of life, which one can overcome, but also focuses on the true joy of life, marriage and family.

I think this film is a big success because there’s never a dull moment, and I let it willingly take my emotions on a roller coaster. I was either smiling or I felt like I had a big emotional lump in my throat. That just says the film is powerful, if you ask me. It’s hilarious and it didn’t feel like two hours at all, which is great. It cleverly avoids clichés and I never felt the need to start mocking it when it gets too sappy, which is an effect the majority of romantic films have on me; including a somewhat similar film also starring Rachel McAdams called “The Time Traveler’s Wife.” This film made me forget about my notepad and I got lost in the experience of it all.

Score100/100

The Vow (2012)

The VowThe Vow

Release Date: February 10, 2012

Director: Michael Sucsy

Stars: Rachel McAdams, Channing Tatum, Sam Neill

Runtime: 104 min

I wrote the original review of this back in late August, and I just tweaked it a little.

The true story of it all seems like it’s a sad one, but the Hollywood version turns it into a complete and total schmaltz-fest. It’s apparent that we’re supposed to relate or feel pity for the characters, but it proves difficult sometimes.

The first half starts off on a fairly strong point with a nice little original wedding, the injury on account of lack of seatbelt, the amnesia bit. Then, the parents come in (Jessica Lange and Jurassic Park’s Sam Neill), wanting their baby girl home because she ran away a while ago.

It soon turns into a total schmaltz fest, that, if you are unaware that it’s a true story, you might think it comes right out of the mind of Nicholas Sparks. At the half-way mark, it’s hard not to lose interest in the characters and the story itself and the hardest task is not to mimic the people in the film, much like I did with The Lucky One. The film just doesn’t get any better.

The film isn’t entirely unendurable, but it’s a sub-par effort with lazy and predictable writing, that had the tendency to be too cute. The filmmakers probably feel having Channing Tatum and Rachel McAdams on board, their appeal would satisfy audiences, and there wouldn’t be a need for good writers. News flash: That doesn’t work, guys. The chemistry between McAdams and Tatum was likeable enough, even though there was a lot of very irritating fights.

The film is part sad, part feel-good, but very average, with the best part being McAdams and Tatum.

55/100

The Hot Chick (2002)

Released: December 13, 2002Director: Tom BradyStars: Rob Schneider, Rachel McAdams, Anna FarrisRuntime: 104 min.

The Hot Chick is the Freaky Friday of Happy Madison Productions.

Jessica (Rachel McAdams for the first bit of the film, and Schneider for the later part) is a self-absorbed high school prissy female who thinks she’s top dog because she has a jock boyfriend and a great group of friends, but the truth is that she really isn’t overly liked by her general high school. On a regular trip to the mall, she’s attracted to an antique shop by a distant music (probably Adam Sandler’s character playing his drums). There, she finds these ancient earrings that come with a mythic story: A young female princess switched bodies with a peasant by these magical earrings, so she can escape an awful marriage; but what she did not know was that she had to switch them before sunset. Henceforth, she was stuck as a peasant for her life. So that’s the whole myth behind those earrings, and you’re probably thinking – where the heck does Schneider come in? Schneider’s original character is a 30-something career criminal lowlife called Clive. Jess and Clive cross paths when he’s robbing a gas station, and doesn’t make a too-slick getaway. Jessica drops one of her earrings, and at night – ba da bing, ba da boom – they both happen to be wearing the earrings, and they both switch bodies.

Schneider brings his usual antics to the feature. The story and conclusion are mighty predictable and have been done before, but that doesn’t stop it from being entertaining in most areas and endurable in the weaker spots of the flick.

Rachel McAdams was underused in this movie, because in reality she probably got a little bit less than twenty minutes of screen time. There are several memorable scenes offered, and also weak scenes. That’s usually the case with Happy Madison comedies though, because they’re often just comedians doing their antics – and – who needs a plot anyway, right?

An endurable screenplay is offered for us lovers of Sandler’s brand of humour. Granted, there are a lot of weak jokes and just some boring “please make it end” moments, but it makes up for that in scenes of pure comedy, and those are probably followed by a few scenes of mediocrity.

The relationships struck up between some characters are quite predictable. A lot of the characters are one–dimensional, and unlikable. Jessica is a prime example of a one-dimensional character, but she changes with this apparent life-shaping experience of switching bodies with a criminal. A little character development is attempted, it isn’t great, but it’s just okay.

The Hot Chick offers silly characters, and an overly tired premise. Though, it also offers hilarious scenes and entertainment that can be enjoyed over and over, well, until it’s fully worn out. It isn’t my favourite Happy Madison production, but is a great one – and definitely Schneider’s best headlining flick (in relations with Sandler).

Score60/100