“The Monuments Men” follows a platoon of unlikely heroes at the end of the Second World War who are tasked with retrieving art masterpieces from Nazi thieves and returning them to their rightful owners. It’s a story about not letting culture die, because if all of this art is to be destroyed, that’s one less piece of history to state that the culture that made it existed.
I think this raises cool cultural ideas because history is an interesting thing, especially seeing and knowing how a culture evolves over time. I’m sure that’s what inspired the real life characters to be a part of this platoon. It’s an educational feature because I hadn’t realized that the Nazi’s stole so much art. The lengths these generically developed characters went through to try to get the art back makes for an okay film.
It’s billed as an action-drama but there’s a limited amount of action throughout, and only a few brief exchanges of artillery, which I find to be a defining trait for any war film. Since that is the case, any action fans out there who are looking for a good war movie with lots of action should seek entertainment elsewhere with the gritty “Lone Survivor.” That one at least has good characters, too. The drama’s okay when it’s happening, but there’s a lot of comedy so its sometimes goofy tone and sometimes serious tone is what makes this have a poor tonal balance.
Director George Clooney is just too eager to please with this one, because he adds so much funny banter it makes many scenes feel quite goofy. I’m one for comic relief in dramas, but the comedy takes too much precedence here for a film billed as a wartime drama, and there are even a few scenes that don’t complement the story, and could just be seen as mere opportunities for the actors to remind us that they can be funny every once in awhile. The scenes are funny, but it leaves me thinking “Well, it might have been funny, but how pointless was that?” There is also one scene that’s pointless, but not that funny, it just feels hollow. Claire Simone (Cate Blanchett), who seems to be Viktor Stahl’s secretary. Stahl is one of the Nazis responsible for hiding the art, and when Claire spots him moving the art to another location via a train, she says “I see you Stahl!” He looks at her, hops on the train and starts shooting at her as it’s going along. Well, he’s not going to hit her at the distance they are from each other; so is he trying to be menacing, or is he just trying to lighten his gun for no apparent reason?
At least the humour hits when it isn’t too predictable, and they have to spice up a plot so simplistic somehow, if there’s not much action going on and if the characters aren’t the best overall. It’s difficult to remember what exactly their role is within the platoon, but they are introduced at the beginning of the film at their work – in one of those early-on recruiting sequences. Clooney is simply the leader of the platoon, the Lieutenant. Hugh Bonneville portrays a man named Donald Jeffries, who gets the most character development as a recovering alcoholic. Matt Damon portrays a painter who is best characterized as a man who cannot speak French to save his life, as the French person he speaks to tells him to speak in English after two sentences.
As previously mentioned, Cate Blanchett’s Claire is Stahl’s secretary, and also a valuable intelligence source. Bill Murray portrays an architect but really only gets depicted as a guy who likes to tease Bob Balaban, who looked like he was directing a stage play in his recruiting scene where George Clooney just sits behind him smiling. John Goodman portrays Walter Garfield, a sculptor who might as well just be the Funny Guy. Jean Dujardin plays a character I’d just refer to as The Guy Who Can Actually Speak French. The cast does their best because they all do get a few laughs in, and it’s quite an ensemble; but when their characters are generic like this, it’s hard not to think that a certain few (Clooney and Damon in particular) are surprisingly phoning in their performances.
To me, this feels like a film with a clear A to B plot. Only a few surprises, a few brief action scenes, but enough humour to keep viewers mildly entertained throughout. The tonal choice to be serious at times, and often too goofy, is fatal. I don’t know if Clooney intended to make this part caper part wartime drama feel as goofy with its humour as “National Treasure” (a fun movie) at times, but that’s the result. Compared to his [Clooney’s] other works as a director, this is disappointingly sub-par.