Directed by: Adam Stovall. Starring: MacLeod Andrews, Natalie Walker, Sydney Vollmer. Runtime: 1h 20 min. Released: This film is currently playing as a part of Popcorn Frights' Wicked Weekend. In the unconventional love story A Ghost Waits, Jack (MacLeod Andrews) is a handyman tasked with fixing up a house before the new tenants can move [...]
On this episode of Filmcraziest Interviews, I chat with director Justin G. Dyck and writer Keith Cooper for their new film Anything for Jackson, a great reverse exorcism horror that had its World Premiere at Fantasia Film Festival on Sept. 1, and recently had its U.S. Premiere as a part of the Nighstream Film Festival on Oct. 9. The plot: Dr. Henry Walsh (Julian Richings) and his wife, Audrey (Sheila McCarthy), lost their grandson, Jackson, in a car crash two years earlier and instead of accepting it, they found satanism. To get him back, they kidnap one of Henry’s pregnant patients, Becker (Konstantina Mantelos), to execute a ritual that would hopefully bring Jackson back, but they get more than they bargained for. The film also stars Yannick Bisson and Josh Cruddas. My review out of Nightstream can be found here, and my first review from Fantasia can be found here.
Right from the beginning, 32 Malasaña Street opens the floodgates for audience members to criticize character decisions as a small boy in an apartment complex loses a marble that goes to the door of Apartment 3B. This apartment, we learn, is haunted; as the marble magically goes into the creepy apartment and he follows it as it rolls beside a woman in a rocking chair. This all begs the question: Kid, why not just get a new marble? It’s a creepy tone-setter, regardless, as the film then skips to 1976 as we meet the Olmedo family. They are the unlucky bunch moving into Apartment 3B as they have left their small village to make a better life for themselves in Madrid. Each character feels distinct in their own right, though we learn quickly that each character goes into specific roles – like the eldest daughter Amparo (Begoña Vargas) being the main character, or the youngest son Rafael (Iván Renedo) very much being the most vulnerable character here. As well, they bring their grandfather, Fermín (José Luis de Madariaga), who has trouble breathing, and you better believe he’s utilized for some creepy moments.
Welcome to another episode of Filmcraziest Interviews and for this episode I chatted with Terence Krey (writer, director and producer) and Christine Nyland (writer and star, pictured in the featured image) for their new film An Unquiet Grave, which had its World Premiere on Oct. 11 at the Nightstream virtual film festival. The film stars Jacob A. Ware as Jamie, a widow one year removed from the death of his wife. One night, he enlists the help of his sister-in-law Ava (Christine Nyland) to help him bring her back from the dead. It’s a two-actor chamber horror directed by Terence Krey, and written by Krey and Nyland.
On this new episode of Filmcraziest Interviews, I'm joined in a conversation with writer and director Ryan Spindell of the new anthology horror film The Mortuary Collection, which is now streaming on Shudder in the U.S., Canada, U.K., Australia and New Zealand. (You can find my review of the film here.) Set at Raven’s End Mortuary in Boggy [...]
Directed by: Ryan Spindell. Starring: Clancy Brown, Caitlin Custer, Christine Kilmer. Runtime: 1h 48 min. Editor's note: This review was originally posted on Sept. 1 for its release at the Fantasia Film Festival. I am reposting this because it has just been released on Shudder in the U.S., Canada, U.K., Australia and New Zealand. I watched this [...]
This is another tale in the “what would you do for your family?” horror cannon, which has seen some good features, even at this year’s Nightstream with Anything for Jackson and My Heart Can’t Beat Unless You Tell it To. Here, An Unquiet Grave is carried by two great performances by Jacob A. Ware and Christine Nyland, who also co-writes this film with director Terence Krey. And when I say the film's carried by these two performances, they're virtually the only ones in the film and are there in every scene. With that said, it's great that these performances are so compelling. Ware captures the grief of his character well, as does Nyland, and Nyland’s performance is the standout here as it’s unpredictable, and I would give kudos to a unique aspect of her performance but that would border on spoilers. But with what happens in the film and what results from the ritual is fascinating and creates such a cool dynamic, and makes for such an interesting concept.
Sometimes watching a film, it’s easy to forget just how much craft goes into creating it. With the super unique gorefest Frank and Zed, though, it’s also easy to appreciate the effort that writer/director Jesse Blanchard – and the whole team, really – put into this nutty puppet spectacle that took seven years to make. Two reanimated corpses – the titular Frank and Zed but known more commonly as Frankenstein and Zombie – have lived a peaceful life for the past 200 years in a castle by a nearby village. In that village, 200 years ago, they were attacked by a monster, and to save the people, the King made a pact with a demon to protect them. In exchange, when the royal bloodline ended, the villagers would have to fulfill an ancient prophecy called The Orgy of Blood. Nudging this into action are two power-hungry villagers who trick the others into attacking the castle where Frank and Zed live.
Editor’s note: Okay, full transparency on this one, I actually caught this Anything for Jackson at Fantasia Film Festival in September for its World Premiere and I enjoyed it so much I wanted to watch it again. It was such a great surprise then as a brilliant reverse exorcism film, and I really wanted to see how it holds up on second viewing. I didn’t read my first review of the film over so I don’t know how much I repeat, but this is written from the perspective of how it plays on second viewing.
I just love films that can find a balance between moody horror and powerful family drama, and My Heart Can’t Beat Unless You Tell it To is just the latest to do this so well as it takes a look at vampirism as a disease and how it affects a family. Thomas (Owen Campbell) is the afflicted member who survives on blood. He gets this blood because of his brother Dwight (Patrick Fugit) and sister Jessie (Ingrid Sophie Schram), who spend their existence taking care of Thomas and killing homeless people or prostitutes to keep Thomas going, and they quite literally take it day by day. It is not much of an existence, but it is theirs.