Directed by: Craig Zobel. Starring: Betty Gilpin, Hilary Swank, Ike Barinholtz. Runtime: 1h 30 min. Released: March 13, 2020.
This review contains spoilers.
I was really looking forward to The Hunt when it was to be released last August before it was delayed because due to mass shootings. Now, when there’s reason to delay movies, the film sneaked into theatres for a week before the close of many all over because of COVID-19, and the film will be released On Demand tomorrow.
The reason it was delayed last August was because of its content. 12 Americans are kidnapped from all over and brought to a mansion in what appears to be rural Arkansas, as they wake up in a clearing and are hunted for sport by liberal elitists in The Hunt, also known as #ManorGate.
It’s called #ManorGate because there were rumours that wealthy liberals, who really appear to be social justice warriors who wouldn’t allow people of colour to be hunted because that’s too far, were hunting people for sport. The reasoning behind the Hunt is kind-of disappointing as it works into its commentary and satire.
I get the commentary and satire, though some of the political aspects would surely go over my head, but it’s not super effective. It’s written by Nick Cuse (TV’s Watchmen and TV’s The Leftovers) and Damon Lindelof (show runner for Watchmen and The Leftovers). Craig Zobel also directs it well (and he’s known for some directing work on Watchmen and The Leftovers so it’s a real reunion), and I am a fan of his film Compliance, one of those disturbing films that’s great but you never want to watch again. Zobel’s film here has more rewatchability.
The Hunt’s commentary doesn’t always work, much of it includes characters walking on eggshells afraid to offend anyone, but there are some strong moments. A great visual gag includes a tense moment of opening a crate, and a pig fitted with Shakespeare clothes jumps out. The film is usually more action than horror, but it’s solid. As for its commentary, I’m not sure what the film is exactly trying to say, other than that the jackrabbit always wins as Crystal (Betty Gilpin) tells in a dark story.
It is Gilpin’s performance that makes this fun, and some well-timed jokes, too. Gilpin embraces her character and shows she is completely within her element, and we learn throughout that Athena (Hilary Swank) has picked the wrong person to include in this Hunt. Without Gilpin, this wouldn’t be as enjoyable as it is. Most of the characters don’t pack much of a punch, but she does.
My main complaint is some of the Hunt participants that seem like they could be key players get killed off quickly and one is particularly disappointing, because I think seeing the character interact with Crystal would have been fun. It subverts expectations and establishes that there’s no central character, at least for the first 20 minutes. The first 20 minutes are fun, but it becomes a real blast when Gilpin comes into play, especially in the action scenes. I think this film works better as just a regular action movie than a commentary.
It’s also really entertaining seeing Ethan Suplee (I’m a fan since his Boy Meets World days) and he plays racist bigot very well (as he shows in his best known role in American History X). The film feels like Game of Thrones in how anyone could be killed at any moment in this kind-of film – so don’t get attached to your favourites (Crystal is the exception).
I enjoy these Battle Royale sort-of films with a high body count (WWE Studios’ The Condemned is a guilty pleasure for that reason), but keep in mind that, while this film manages to be memorable, there’s nothing new in this action thriller. As I’ve said before, Gilpin and the action make it worth the watch, but if you just wanted to watch (or re-watch) Battle Royale or even The Hunger Games again, I wouldn’t blame you. Still, if you want a good R-rated version of The Hunger Games, The Hunt entertains for 90 minutes.