Under Wraps. Released (premiered): October 25, 1997. Directed by: Greg Beeman. Starring: Adam Wylie, Mario Yedidia, Clara Bryant. Runtime: 1h 35 min.
When people think Disney Channel Original Movie, ones like “Halloweentown” or “High School Musical” stand out. But today, I’m reviewing the true original DCOM, “Under Wraps,” the first to premiere on the network as the re-branded Disney Channel Original Movie.
A local museum curator and grump, Mr. Kubat (Ed Lauter), dies and Marshall (Mario Yedida), Gilbert (Adam Wylie) and Amy (Clara Bryant) decide to see what weird stuff the old guy had in his basement. They find more than they bargained for when there’s a mummy named Harold (Bill Fagerbakke, Patrick Star on “Spongebob Squarepants”) chilling in his sarcophagus.
As far as these DCOM Halloween movies go, they’re rarely scary. They just have spooky monsters and usually make for decent Halloween movies. “Under Wraps” is easily the least scary of them all. But that’s not this film’s intention (or usually any of the DCOM Halloween movie intentions). This mummy is just funny and entertaining. There’s some good fish-out-of-water humour and slapstick comedy that made me think of Jim Carrey. The makeup is decent for Harold, too.
Some of the humour’s childish, but again, that’s understandable for a Halloween TV movie made for kids. I’m still a kid at heart so there’s some okay enjoyment to be had here. Certain sub-plots aren’t always interesting. For example: Marshall’s Mom (Corinne Bohrer, and that’s literally the character name) is dating a new guy named Ted (also played by Bill Fagerbakke) and Marshall isn’t coping with it well after his parent’s divorce.
It’s not super interesting while watching but it was probably put in because it would be relatable for any kids watching it that may not be handling divorce well. It handles it fine in that respect and the attempt at developing a character is welcome, as they don’t try with anyone else.
Basically, Marshall likes horror movies; Gilbert’s spooked of his own shadow; and Amy is… Well, she’s not well-developed and she’s there for an eventual schoolyard crush, and her mom (character name simply Amy’s Mom) is selling Kubat’s house so she’s their way into the basement to find Harold.
The friendship with Marshall and Harold is a highlight. The main plot of the film other than just three kids hanging out with a mummy is they have to get him back into his sarcophagus before Halloween ends. If they don’t, he’ll turn to dust and his soul would be lost, as a horror shop owner named Bruce (Ken Hudson Campbell) tells the kids. He’s a horror shop owner but also an exposition fairy.
The villain and the main conflict is weak and there’s a dumb twist that’s too silly to not talk about. It’s really the stuff you’d see in a TV movie like this, so SPOILER WARNING! Basically, the Kubat guy is still alive. He faked his death because he was going to go to jail for tax evasion. He’s trying to sell the sarcophagus but wants Harold because a real-life mummy is real valuable. Of course, the kids don’t want Harold being sold to one of his shady buyers. They really dress Kubat as a gangster interested in arts and culture when they show he’s the villain. END OF SPOILERS!
The acting’s fine for the kids, and when Marshall fake cries it’s the only bad moment. If they’re doing random hijinks, they’re completely passable. The teleplay by Don Rhyme is fine for what it is, but character development, plot structure and the conflict is shaky at best. The mummy makes up for it by being funny most of the time, and without him being so amusing this would have been a lot worse.
I think the best writing is a movie-within-a-movie called “Warthead IV” that Marshall adores. The monster looks like the Toxic Avenger and there’s some funny, cheesy overacting. But when the monster crashes through a window and puts the Movie Dad (Tom Virtue, Steven Stevens on TV’s “Even Stevens”) near a spinning knife in the garbage disposal is the closest this comes to horror. It’s campy and looks like a fun movie, and I would watch it. It’s one of the better moments of the film.