Released: March 27, 2015. Directed by Etan Cohen. Starring Will Ferrell, Kevin Hart, Alison Brie. Runtime: 1hr, 40 min.
Get Hard might be a rip-off of other films, but it isn’t flaccid.
The Will Ferrell and Kevin Hart comedy borrows elements from 1983’s Trading Places, where the two primary characters come from jarringly different worlds. Ferrell’s James
King is a Harvard-educated millionaire who just made partner at his place of work.
It’s not crystal-clear what he actually does for a living, but all you have to know is that early on the film, he is arrested for multiple counts of fraud and embezzlement and is sentenced to ten years in prison.
An intensely biased judge gives him the harshest possible sentence at San Quentin prison, because white collar citizens like King have been getting away with light pleas for far too long. This is probably the film’s most frustrating and uninspired occurrence.
Anyway, King meets Kevin Hart’s Darnell Lewis and assumes he has went to prison because of his race, perceived lack of education and social standing. He seeks his help in training him in his expertise in surviving prison. Darnell only agrees because of his need for money to buy a new home to get his family out of a dangerous Californian neighborhood.
And of course, he really hasn’t been to prison and has to base his “How to survive prison” tips on black stereotypes and vague advice from his cousin Russell, portrayed by T.I., who has connections in prison with his gang called the Crenshaw Kings.
Darnell means well and he’s just trying to make some money, but these two characters are really in the same boat in how little they know about prison – King is just a bit more ignorant about the subject of prison, and general sensitivity, than Lewis.
I think that’s why the dynamic works – that neither of them know what they’re doing – and allows it to be a bit different than the 2007 Rob Schneider vehicle, Big Stan. Basically, this is a blatant, stereotypical rip-off of that lacklustre film, but it builds on it with a stronger cast and a more interesting story.
Kevin Hart gets a few of the film’s biggest laughs and there about five hilarious scenes. The film’s at its best when it simulates a yard scene where gangs fight over basic ownership of King. It is also quite funny when King tries to get in touch with his hip hop side and adopts the persona of Mayo.
Ferrell is good, if sporadically awkward. He was better in 2010’s The Other Guys as his soft Allen Gamble, at one point stepping into the role of a pimp called Gator. The character in that film is funnier and better developed, though Ferrell does have his moments as a character reviled by many, especially his at-home helpers.
King’s bank accounts are frozen, and the only reason they stay behind to still work for him is to get back at him for the general mistreatment. King does deserve some empathy for his entire life being turned upside down, and losing an incredibly sexy fiancé portrayed by Community’s Alison Brie, whose shallowness is portrayed by her being more upset by a ruined party than her fiancé being arrested.
To be fair, that party did have John Mayer in a mildly amusing cameo, where he goes on live television to sing about the monstrous King potentially getting sexually assaulted in San Quentin. If that doesn’t convince you to at least rent it, I don’t think anything will.